Paul Hughes
- Producer
- 3 on Motif
What are Paul Hughes' films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Survival.
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 1
Light 1 · Serious 2 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Hughes' films?
As of October 24, 2026, 2 of their 3 Motif titles stream on a subscription or free service, on Tubi (2).
Subscription and free streaming for Paul Hughes' titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a Motif page.
The Magnificent Eleven(2013)
Motif score: 11th percentile of all films
S.N.U.B!(2010)
Motif score: 1st percentile of all films
Johnny Was(2006)
Motif score: 29th percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 2006 to 2013.
How do Paul Hughes' films land?
Their typical Motif film has a Motif score in the 11th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 1st percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Divisive1
- Mixed2
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Hughes work with?
People who share at least 2 of Paul Hughes' Motif titles, grouped by what they did on them; John Adams shares the most, 2.
Writers
- John AdamsShared titles: The Magnificent Eleven (2013), S.N.U.B! (2010)See all 2 shared titles with John Adams
- Peter AdamsShared titles: The Magnificent Eleven (2013), S.N.U.B! (2010)See all 2 shared titles with Peter Adams
Producers
- Ian DrayShared titles: The Magnificent Eleven (2013), S.N.U.B! (2010)See all 2 shared titles with Ian Dray
- Ron PurdieShared titles: The Magnificent Eleven (2013), S.N.U.B! (2010)See all 2 shared titles with Ron Purdie