Albertino Matalon
- Producer
- 3 on MovieCove · 4 credits in all
What are Albertino Matalon's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 3 · Dark 0
Grounded 1 · Stylized 1 · Heightened 1
A split, not a type: Gentle 0 · Charged 2 · Intense 1
A split, not a type: Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Albertino Matalon's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (2).
Subscription and free streaming for Albertino Matalon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
The Man Who Was Thursday(2016)
Midcredits score: 18th percentile of all films
Goodbye World(2013)
Midcredits score: 22nd percentile of all films
Bunraku(2010)
Midcredits score: 49th percentile of all filmsGoing There (not in the MovieCove catalog yet)
Career shape
A full career of 4 titles, 3 of them dated from 2010 to 2016.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Albertino Matalon's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 23rd percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Albertino Matalon work with?
People who share at least 2 of Albertino Matalon's MovieCove titles, grouped by what they did on them; Matthew G. Zamias shares the most, 3.
Actors
- Jordi MollàShared titles: The Man Who Was Thursday (2016), Bunraku (2010)See all 2 shared titles with Jordi Mollà
Producers
- Matthew G. ZamiasShared titles: The Man Who Was Thursday (2016), Goodbye World (2013), Bunraku (2010)See all 3 shared titles with Matthew G. Zamias
- Guy MosheShared titles: The Man Who Was Thursday (2016), Goodbye World (2013), Bunraku (2010)See all 3 shared titles with Guy Moshe
Mixed roles
- Glenn GarlandShared titles: The Man Who Was Thursday (2016), Bunraku (2010)See all 2 shared titles with Glenn Garland
