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Andrew Jeric

Andrew Jeric

Cinematographer

Works as
Cinematographer
Titles
8 on MovieCove · 13 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 4% in 30 days

What are Andrew Jeric's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
50%
Society
17%
Bonds
12%
Survival
12%
Ideas
6%
Morality
4%
Identity2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 2 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Hopeful
3
Dread
3
Warm
2
Contemplative
3
Other
6

How their films linger

Hopeful3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Jeric's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Andrew Jeric's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 8 with a MovieCove page.

  • In Old Ranchos (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Camera(2024)

    Cinematographer

    Midcredits score: 69th percentile of all films

  • Phoenix(2024)

    Show Cinematographer

    Midcredits score: 31st percentile of all shows

  • Gray Matter(2023)

    Cinematographer

    Midcredits score: 23rd percentile of all films

  • Supercell(2023)

    Cinematographer

    Midcredits score: 8th percentile of all films

  • Father of the Flying Car(2022)

    Cinematographer

    Midcredits score: 79th percentile of all films (provisional, few ratings)

  • Sightless(2020)

    Cinematographer

    Midcredits score: 33rd percentile of all films

  • Making Babies(2018)

    "A" Camera Operator

    Midcredits score: 34th percentile of all films

  • Dawn Of Man (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Destined to Ride(2018)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • Sightless (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • The Sculptor (not in the MovieCove catalog yet)(2011)

    Cinematographer

  • Birthday (not in the MovieCove catalog yet)(2009)

    Cinematographer · Editor

Career shape

A full career of 11 titles from 2009 to 2024.

Biggest box office

Supercell (2023)

$69K worldwide

Highest rated

Sightless (2020)

Midcredits 33rd

Most popular right now

Supercell (2023)

By role

only this rolewith another role
Cinematography10 of 11: 9 only cinematography, 1 with another role · typical Midcredits score33rdEditing1 of 11: 0 only editing, 1 with another roleOther crew1 of 11: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s4 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrew Jeric's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 6

Approval · how many liked their films

28thpercentile
Typical film, the median of 6

Reach · how many have seen their films

60thpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

5 of their 8 titles are Mixed.

  • Loved with Detractors1
  • Divisive1
  • Cult Classic1
  • Mixed5

Most divisive · cinematographer

Father of the Flying Car (2022)

97th percentile spread · 33% rated it 4 or lower

Most loved · cinematographer

Camera (2024)

Midcredits 69th · 64% liked

Reviewers score the cinematography 75/100 in their films, across 4 reviewed titles; fans 84, detractors 61. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Jeric work with?

People who share at least 2 of Andrew Jeric's MovieCove titles; Anna Elizabeth James shares the most, 2.