Marie-Pierre Macia
- Producer
- 11 on MovieCove
What are Marie-Pierre Macia's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
A split, not a type: Light 3 · Serious 3 · Dark 5
A split, not a type: Grounded 4 · Stylized 3 · Heightened 4
Gentle 3 · Charged 6 · Intense 2
Steady 9 · Shifting 2 · Whiplash 0
Straight-faced 10 · Some laughs 1 · Funny 0
Slow burn 9 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 7 · Full focus 3
A split, not a type: Easy watch 2 · Affecting 3 · Heavy 6
A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 6
Moods and endings
- Bittersweet3
- Tragic1
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marie-Pierre Macia's films?
As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Marie-Pierre Macia's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 11 with a MovieCove page.

Our Land(2025)
Midcredits score: 89th percentile of all films
The Antique(2024)
Midcredits score: 61st percentile of all films
Alam(2022)
Midcredits score: 78th percentile of all films
EAMI(2022)
Midcredits score: 50th percentile of all films
Mariner of the Mountains(2021)
Midcredits score: 83rd percentile of all films
Shine Your Eyes(2020)
Midcredits score: 68th percentile of all films
Rafiki(2018)
Midcredits score: 75th percentile of all films
The Dead Queen(2018)
Midcredits score: 55th percentile of all films
Zama(2017)
Midcredits score: 74th percentile of all films
Midcredits score: 81st percentile of all films
The Turin Horse(2011)
Midcredits score: 95th percentile of all films
Career shape
Across their 11 MovieCove titles from 2011 to 2025.
How do Marie-Pierre Macia's films land?
Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up6
- 50th to 74th5
Shape of the crowd
6 of their 11 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marie-Pierre Macia work with?
People who share at least 2 of Marie-Pierre Macia's MovieCove titles, grouped by what they did on them; Claire Gadéa shares the most, 8.
Directors
- Lucrecia MartelShared titles: Our Land (2025), Zama (2017)See all 2 shared titles with Lucrecia Martel

Actors
- Erika BókShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with Erika Bók

- János DerzsiShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with János Derzsi

Editors
- Miguel SchverdfingerShared titles: Our Land (2025), Zama (2017)See all 2 shared titles with Miguel Schverdfinger

- Nadia Ben RachidShared titles: Alam (2022), Tarr Béla, I Used to Be a Filmmaker (2013)See all 2 shared titles with Nadia Ben Rachid

- Isabelle DedieuShared titles: Shine Your Eyes (2020), Rafiki (2018)See all 2 shared titles with Isabelle Dedieu
Producers
- Claire GadéaShared titles: Our Land (2025), Alam (2022), EAMI (2022), Mariner of the Mountains (2021), Shine Your Eyes (2020), Rafiki (2018), The Dead Queen (2018), Zama (2017)See all 8 shared titles with Claire Gadéa

- Joslyn BarnesShared titles: Our Land (2025), EAMI (2022), Zama (2017)See all 3 shared titles with Joslyn Barnes

- Susan RockefellerShared titles: Our Land (2025), EAMI (2022), Zama (2017)See all 3 shared titles with Susan Rockefeller

- Ricardo MonastierShared titles: Mariner of the Mountains (2021), Rafiki (2018), Zama (2017)See all 3 shared titles with Ricardo Monastier

Mixed roles
- Ágnes HranitzkyShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with Ágnes Hranitzky

- Béla TarrShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with Béla Tarr

- Fred KelemenShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with Fred Kelemen

- Gábor TéniShared titles: Tarr Béla, I Used to Be a Filmmaker (2013), The Turin Horse (2011)See all 2 shared titles with Gábor Téni