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MovieCove

Robert F. Smith

Producer

Works as
Producer
Titles
11 on MovieCove

What are Robert F. Smith's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 6

A split, not a type: Grounded 8 · Stylized 2 · Heightened 1

Gentle 1 · Charged 3 · Intense 7

Steady 2 · Shifting 6 · Whiplash 3

A split, not a type: Straight-faced 7 · Some laughs 1 · Funny 3

Slow burn 1 · Even-paced 8 · Relentless 2

Casual 3 · Engaged 5 · Full focus 3

Resolved 9 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Dread
6
Absurd
3
Thrilling
5
Melancholic
3
Other
4

How their films end · 4 with a twist

  • Happy3
  • Bittersweet6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert F. Smith's films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Robert F. Smith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page.

  • Midcredits score: 9th percentile of all films
  • Fatale(2020)

    Producer

    Midcredits score: 26th percentile of all films
  • Motherless Brooklyn(2019)

    Producer

    Midcredits score: 73rd percentile of all films
  • The Intruder(2019)

    Producer

    Midcredits score: 26th percentile of all films
  • Traffik(2018)

    Producer

    Midcredits score: 41st percentile of all films
  • Kicks(2016)

    Producer

    Midcredits score: 62nd percentile of all films
  • Meet the Blacks(2016)

    Producer

    Midcredits score: 48th percentile of all films
  • Supremacy(2014)

    Producer

    Midcredits score: 55th percentile of all films
  • Chain Letter(2010)

    Producer

    Midcredits score: 5th percentile of all films
  • The Hustle(2008)

    Producer

    Midcredits score: 32nd percentile of all films
  • Dead Tone(2007)

    Producer

    Midcredits score: 12th percentile of all films

Career shape

Across their 11 MovieCove titles from 2007 to 2021.

By role

only this rolewith another role
Producing11 of 11: 11 only producing, 0 with another role · typical Midcredits score32nd

By decade

2000s2 · crew2010s7 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Robert F. Smith's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 11

Approval · how many liked their films

41stpercentile
Typical film, the median of 11

Reach · how many have seen their films

86thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 50th to 74th3
  • 25th to 49th5
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert F. Smith's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles57–72 · median 59 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles31–59 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles58–90 · median 76 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 59 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 60 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Robert F. Smith work with?

People who share at least 2 of Robert F. Smith's MovieCove titles, grouped by what they did on them; Deon Taylor shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles