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Na Hong-jin

Na Hong-jin

Writer, director and producer · Born January 1, 1974 (52) · Seoul, South Korea

Na Hong-jin ( born 20 July 1974) is a South Korean film director, producer and screenwriter. His filmography is characterized by the incorporation of violent thriller and horror elements. Na's emergence in the film industry began with his feature film debut, The Chaser (2008), which achieved both critical and commercial success, ranking as the third-highest-grossing film in South Korea for its release year. His subsequent film, The Yellow Sea (2010), was presented in the Un Certain Regard section at the 2011 Cannes Film Festival. The Wailing (2016) further contributed to Na's critical and commercial standing, earning accolades that included the Best Director award at the 37th Blue Dragon Film Awards and recognition at the Bucheon International Film Festival.

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Biography from TMDB.

Born
January 1, 1974 (52)
From
Seoul, South Korea
Works as
Writer, director and producer
Titles
5 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Up 77% in 30 days

What are Na Hong-jin's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 5

A split, not a type: Grounded 2 · Stylized 1 · Heightened 2

Gentle 0 · Charged 0 · Intense 5

A split, not a type: Steady 1 · Shifting 1 · Whiplash 3

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 2

A split, not a type: Casual 0 · Engaged 3 · Full focus 2

Easy watch 0 · Affecting 1 · Heavy 4

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
4
Melancholic
3
Thrilling
1
Manic
1
Other
1

How their films end · 3 with a twist

  • Bittersweet1
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Na Hong-jin's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on AMC+ (2).

Subscription and free streaming for Na Hong-jin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Hope(2026)

    Director · Producer · Writer

    Midcredits score: 67th percentile of all films
  • Faith (not in the MovieCove catalog yet)(2023)

    Director · Producer · Writer

  • The Medium(2021)

    Original Story · Producer

    Midcredits score: 70th percentile of all films
  • The Wailing(2016)

    Director · Writer

    Midcredits score: 93rd percentile of all films
  • The Yellow Sea(2010)

    Director · Writer

    Midcredits score: 91st percentile of all films
  • The Chaser(2008)

    Director · Screenplay

    Midcredits score: 97th percentile of all films
  • Sweat (not in the MovieCove catalog yet)(2007)

    Director · Editor · Writer

  • The Perfect Fishplate (not in the MovieCove catalog yet)(2005)

    Director · Composer · Sound Designer · Writer

  • The Mink (not in the MovieCove catalog yet)

    Producer

  • Untitled Hope Sequel (not in the MovieCove catalog yet)

    Director · Writer

  • Untitled Na Hong-jin Thriller (not in the MovieCove catalog yet)

    Director · Writer

Career shape

A full career of 11 titles, 8 of them dated from 2005 to 2026.

By role

only this rolewith another role
Directing9 of 11: 0 only directing, 9 with another roleWriting10 of 11: 0 only writing, 10 with another role · typical Midcredits score91stProducing4 of 11: 1 only producing, 3 with another roleMusic1 of 11: 0 only music, 1 with another roleEditing1 of 11: 0 only editing, 1 with another roleOther crew1 of 11: 0 only other crew, 1 with another role

11 titles, 10 with more than one role — writing and directing overlap on 9 of them.

By decade

2000s3 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Na Hong-jin's films land?

Their typical MovieCove film has a Midcredits score in the 91st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 89th percentile for acclaim.

Acclaim · how much people like their films

89thpercentile
Typical film, the median of 5

Approval · how many liked their films

89thpercentile
Typical film, the median of 5

Reach · how many have seen their films

97thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th2

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4

Reviewers score the dialogue 49/100 and the plot and story 49/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Na Hong-jin's work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles85–98 · median 94 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity5 titles31–77 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles63–88 · median 84 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles28–41 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles86–94 · median 91 · severeheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Na Hong-jin work with?

People who share at least 2 of Na Hong-jin's MovieCove titles, grouped by what they did on them; Sun-Min Kim shares the most, 3.

Writers

Actors

Composers, cinematographers and editors

Producers