Emily Cofrancesco

What are Emily Cofrancesco's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emily Cofrancesco's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

• HBO Max3 titles, browse their movies on this service
  • 1968: The Year That Changed America (2018) · producer
  • Marc by Sofia (2025) · producer
  • Allen v. Farrow (2021) · producer
• Apple TV1 title, browse their movies on this service
  • Dear... (2020) · producer
• Netflix1 title, browse their movies on this service
  • Martha (2024) · producer
• Paramount+1 title, browse their movies on this service
  • We Need to Talk About Cosby (2022) · producer
• Tubi1 title, browse their movies on this service
  • InHospitable (2021) · producer · free

Subscription and free streaming for Emily Cofrancesco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Lee Soo Man: King of K-Pop(2025)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Marc by Sofia(2025)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Martha(2024)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  We Need to Talk About Cosby(2022)

  Show Producer

  Midcredits score: 78th percentile of all shows78^th
• 

  Allen v. Farrow(2021)

  Show Producer

  Midcredits score: 30th percentile of all shows30^th
• 

  InHospitable(2021)

  Producer

  Midcredits score: 87th percentile of all films (provisional, few ratings)~87^th
• 

  Dear...(2020)

  Show Producer

  Midcredits score: 25th percentile of all shows25^th
• 

  1968: The Year That Changed America(2018)

  Show Producer

  Midcredits score: 57th percentile of all shows57^th

Career shape

Across their 8 MovieCove titles from 2018 to 2025.

Biggest box office

Marc by Sofia (2025)

$330K worldwide

Highest rated

Martha (2024)

Midcredits 89^th

Most popular right now

Dear... (2020)

How do Emily Cofrancesco's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 72^nd percentile for acclaim.

Shape of the crowd

4 of their 8 titles are Mixed.

1124

• Divisive1
• Cult Classic1
• Crowd Pleaser2
• Mixed4

Most divisive · producer

InHospitable (2021)

92^nd percentile spread · 20% rated it 4 or lower

Most loved · producer

Martha (2024)

Midcredits 89^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Emily Cofrancesco work with?

People who share at least 2 of Emily Cofrancesco's MovieCove titles, grouped by what they did on them; Jane Cha Cutler shares the most, 4.