- July 13, 1990 (36)
- Director, editor, producer and writer
- 4 on MovieCove
What are Gary King's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Power.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
Straight-faced 3 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gary King's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Gary King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Among Us(2017)
Midcredits score: 27th percentile of all films
Dead Bullet(2016)
Midcredits score: 30th percentile of all films
Death of the Dead(2011)
Midcredits score: 50th percentile of all films (provisional, few ratings)
Dismal(2009)
Midcredits score: 1st percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles.
How do Gary King's films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 4 titles are Divisive.
- Divisive2
- Mixed2
Reviewers score the atmosphere 42/100 and the pacing 33/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gary King work with?
People who share at least 2 of Gary King's MovieCove titles, grouped by what they did on them; Kenneth Lampl shares the most, 3.
Writers
- Bo BuckleyShared titles: Death of the Dead (2011), Dismal (2009)See all 2 shared titles with Bo Buckley
Composers
- Kenneth LamplShared titles: Among Us (2017), Death of the Dead (2011), Dismal (2009)See all 3 shared titles with Kenneth Lampl
Producers
- Justin SoponisShared titles: Death of the Dead (2011), Dismal (2009)See all 2 shared titles with Justin Soponis
Mixed roles
- Jack AbeleShared titles: Death of the Dead (2011), Dismal (2009)See all 2 shared titles with Jack Abele