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Dmitriy Dyachenko

Dmitriy Dyachenko

Director · Born September 16, 1972 (54) · Voronezh, USSR (Russia)

Российский режиссёр и сценарист, работает в кино, на телевидении, в театре. Известен по фильмам День радио и О чем говорят мужчины. Проходил режиссёрские курсы ВИППК, в мастерской Николая Бурляева и Бориса Плотникова, благодаря чему стал режиссёром кино и телевидения. Окончил Воронежский государственный институт искусств в 1989 году. Работал режиссёром в продюсерском центре «Дакарт» (1995—1998), на телевизионном канале АСТ (1997—1999), режиссёром-постановщиком в компаниях «Бизнес-Видео» и «Видео Коммуникации» (1999—2002), режиссёром-постановщиком документальных фильмов продюсерского центра СТФ Юнит (2003—2004), в 2005 режиссёр-постановщик видео-оформления для спектакля «Быстрее, чем кролики» театра «Квартет И». В 2005 — режиссёр-постановщик трех серий сериала «Кулагин и Партнёры» и в 2006 году работал над документальным фильмом для спектакля «Америка-2» театра «Современник». В 2008 вышел новый фильм Дмитрия Дьяченко «День радио», в котором главные роли исполнили актёры «Квартета И». В 2010-м он выпустил ещё один фильм с теми же актёрами — «О чём говорят мужчины», а в 2011 году снял его продолжение.

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Biography from TMDB.

Born
September 16, 1972 (54)
From
Voronezh, USSR (Russia)
Works as
Director
Titles
8 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 133% in 30 days

What are Dmitriy Dyachenko's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Adventure4 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Adventure movies
Comedy3 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
54%
Self
26%
Society
11%
Survival
9%
Family bonds5 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 7 · Serious 0 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 5 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 4 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 1 · Some laughs 3 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Joyful
4
Tense
3
Thrilling
3
Dread
1
Other
4

How their films linger

Feel-good6 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy7
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dmitriy Dyachenko's films?

As of October 24, 2026, 1 of their 8 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Dmitriy Dyachenko's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 8 with a MovieCove page.

  • Dunno (not in the MovieCove catalog yet)(2028)

    Director

  • Chebi: My Fluffy Friend 3 (not in the MovieCove catalog yet)(2027)

    Director

  • The Gudovs (not in the MovieCove catalog yet)(2026)

    Show 16 episodes · Director

  • Cheburashka 2(2026)

    Director

    Midcredits score: 23rd percentile of all films

  • Finist. The First Warrior (not in the MovieCove catalog yet)(2024)

    Director

  • Chebi. Day Off (not in the MovieCove catalog yet)(2023)

    Director

  • The Rage(2023)

    Director

    Midcredits score: 44th percentile of all films

  • Chebi: My Fluffy Friend(2023)

    Director

    Midcredits score: 40th percentile of all films

  • Fashion Syndicate (not in the MovieCove catalog yet)(2022)

    Show 17 episodes · Producer

  • The Last Warrior: A Messenger of Darkness(2021)

    Director

    Midcredits score: 34th percentile of all films

  • The Oligarch's Wife (not in the MovieCove catalog yet)(2021)

    Show 17 episodes · Director

  • The Last Warrior: Root of Evil(2021)

    Director

    Midcredits score: 45th percentile of all films

  • Triada (not in the MovieCove catalog yet)(2019)

    Show 16 episodes · Director · Producer

  • Super Family. Better Than Avengers (not in the MovieCove catalog yet)(2017)

    Director · Producer

  • The Last Warrior(2017)

    Director

    Midcredits score: 61st percentile of all films

  • Super Bobrovs(2016)

    Director · Producer

    Midcredits score: 11th percentile of all films

  • The Wonderland (not in the MovieCove catalog yet)(2016)

    Director

  • Kukhnya v Parizhe(2014)

    Director · Producer

    Midcredits score: 73rd percentile of all films

  • Faster Than Rabbits (not in the MovieCove catalog yet)(2014)

    Director · Producer

  • The Kitchen (not in the MovieCove catalog yet)(2012)

    Show 40 episodes · Director

  • What Men Still Talk About (not in the MovieCove catalog yet)(2011)

    Director · Editor

  • What Men Talk About (not in the MovieCove catalog yet)(2010)

    Director

  • Radio Day (not in the MovieCove catalog yet)(2008)

    Director

  • 9th May. Personal Attitude (not in the MovieCove catalog yet)(2008)

    Show 1 episode · Director

  • Big Difference (not in the MovieCove catalog yet)(2008)

    Show 85 episodes · Director

  • Авантюристка (not in the MovieCove catalog yet)(2006)

    Show 20 episodes · Director

Career shape

A full career of 26 titles, 24 of them dated from 2006 to 2026.

Biggest box office

Cheburashka 2 (2026)

$79M worldwide

Highest rated

Kukhnya v Parizhe (2014)

Midcredits 73rd

Most popular right now

The Last Warrior (2017)

By role

only this rolewith another role
Directing25 of 26: 19 only directing, 6 with another role · typical Midcredits score42ndProducing6 of 26: 1 only producing, 5 with another roleEditing1 of 26: 0 only editing, 1 with another role

26 titles, 6 with more than one role — directing and producing overlap on 5 of them.

By decade

2000s4 · crew2010s10 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dmitriy Dyachenko's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 8

Approval · how many liked their films

41stpercentile
Typical film, the median of 8

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 50th to 74th2
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

5 of their 8 titles are Mixed.

  • Cult Classic1
  • Crowd Pleaser2
  • Mixed5

Most divisive · director

Chebi: My Fluffy Friend (2023)

87th percentile spread · 31% rated it 4 or lower

Most loved · director, producer

Kukhnya v Parizhe (2014)

Midcredits 73rd · 64% liked

Reviewers score the atmosphere 68/100 and the pacing 45/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dmitriy Dyachenko work with?

People who share at least 2 of Dmitriy Dyachenko's MovieCove titles, grouped by what they did on them; Vitaliy Shlyappo shares the most, 7.

Writers

Actors

Composers and editors

Producers