Aditi Mediratta

What are Aditi Mediratta's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aditi Mediratta's films?

As of October 24, 2026, none of Aditi Mediratta's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Aditi Mediratta's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Azhar(2016)

  Writer

  Midcredits score: 39th percentile of all films39^th
• 

  Once Upon a Time in Mumbaai Dobara(2013)

  Writer

  Midcredits score: 18th percentile of all films18^th
• 

  The Dirty Picture(2011)

  Writer

  Midcredits score: 60th percentile of all films60^th

Career shape

Across a limited sample of 3 MovieCove titles from 2011 to 2016.

Biggest box office

Once Upon a Time in Mumbaai Dobara (2013)

$389K worldwide

Highest rated

The Dirty Picture (2011)

Midcredits 60^th

How do Aditi Mediratta's films land?

Their typical MovieCove film has a Midcredits score in the 39^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 34^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Mixed.

12

• Crowd Pleaser1
• Mixed2

Most divisive · writer

Once Upon a Time in Mumbaai Dobara (2013)

87^th percentile spread · 42% rated it 4 or lower

Most loved · writer

The Dirty Picture (2011)

Midcredits 60^th · 59% liked

Reviewers score the dialogue 65/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aditi Mediratta work with?

People who share at least 2 of Aditi Mediratta's MovieCove titles, grouped by what they did on them; Rajat Arora shares the most, 3.