Skip to content
MovieCove

Yûji Shimamoto

Producer

Works as
Producer
Titles
4 on MovieCove · 10 credits in all

What are Yûji Shimamoto's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
28%
Ideas
23%
Morality
20%
Bonds
13%
Survival
9%
Power
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 0 · Stylized 2 · Heightened 2

Gentle 0 · Charged 2 · Intense 2

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Dread
1
Contemplative
1
Thrilling
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yûji Shimamoto's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Yûji Shimamoto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 4 with a MovieCove page.

  • I Am Makimoto (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • 13 Assassins(2010)

    Co-Executive Producer

    Midcredits score: 95th percentile of all films
  • Zero Focus (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • The Last Princess (not in the MovieCove catalog yet)(2008)

    Production Supervisor

  • Ichi(2008)

    Producer

    Midcredits score: 67th percentile of all films
  • A Cheerful Gang Turns the Earth (not in the MovieCove catalog yet)(2006)

    Executive Producer

  • Origin: Spirits of the Past(2006)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Midcredits score: 84th percentile of all films
  • Ultraman: The Next (not in the MovieCove catalog yet)(2004)

    Producer

  • Tweeny Witches (not in the MovieCove catalog yet)(2004)

    Show 40 episodes · Executive Producer

Career shape

A full career of 8 titles from 2004 to 2022.

By role

only this rolewith another role
Producing7 of 8: 7 only producing, 0 with another roleOther crew1 of 8: 1 only other crew, 0 with another role

By decade

2000s6 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Yûji Shimamoto's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 4

Approval · how many liked their films

73rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

79thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yûji Shimamoto work with?

People who share at least 2 of Yûji Shimamoto's MovieCove titles, grouped by what they did on them; Hiroaki Kitano shares the most, 2.

Producers