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Barbara Marshall

Barbara Marshall

Writer and producer

Sci-fi horror writer Barbara Marshall uprooted from her hometown of Austin, Texas after receiving a BA in Theatre (Acting Concentration) and a BS in Radio-TV-Film from the University of Texas @ Austin. She earned her MFA in Film Video at California Institute of the Arts where she became active in the screenwriting competition circuit. She placed first in Slamdance TV writing competition, 2nd in their feature writing competition, and was a 2002 Nicholl Finalist. Her first feature, Triple Dog, starring Brittany Robertson and Alexia Fast was released in 2010. She then turned her attention to the TV space and staffed on Stargate Universe and Terra Nova. Multiple spec screenplays have landed her on the Black and Blood Lists respectively. In 2013, she was named as one of Variety's Top Ten Screenwriters to Watch. Her produced features include Triple Dog (2010,) Viral (2016), Wish Upon (2018), The Bad Seed remake starring Rob Lowe (2018) and Confessions of a Killer: The Chris Watts Story (2020.) She currently has several genre projects in development and is looking forward to stepping behind the camera to direct her first feature in the near future.

Read more

Biography from IMDb.

Works as
Writer and producer
Titles
10 on MovieCove

What are Barbara Marshall's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 3 · Dark 7

Grounded 9 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 7

Steady 4 · Shifting 4 · Whiplash 2

Straight-faced 9 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 8 · Relentless 0

A split, not a type: Casual 6 · Engaged 4 · Full focus 0

Easy watch 1 · Affecting 3 · Heavy 6

Resolved 9 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
7
Melancholic
6
Cold
1
Hopeful
1
Other
2

How their films end · 3 with a twist

  • Bittersweet5
  • Tragic3
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Barbara Marshall's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Barbara Marshall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

Career shape

Across their 10 MovieCove titles from 2010 to 2025.

By role

only this rolewith another role
Writing10 of 10: 8 only writing, 2 with another role · typical Midcredits score42ndProducing2 of 10: 0 only producing, 2 with another role

By decade

2010s4 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Barbara Marshall's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 10

Approval · how many liked their films

40thpercentile
Typical film, the median of 10

Reach · how many have seen their films

78thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th2
  • 25th to 49th6
  • Below 25th2

Reviewers score the dialogue 38/100 and the plot and story 34/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Barbara Marshall's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore runs heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles54–79 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles8–45 · median 21 · mildlighter than most filmsMedian of all films: 32
Profanity5 titles8–53 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 27 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 75 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Barbara Marshall work with?

People who share at least 2 of Barbara Marshall's MovieCove titles, grouped by what they did on them; Elisabeth Röhm shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers