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MovieCove

Ken Hor

Composer

Inner Voices Productions (IVP) is a music production company that tells stories through music. They have worked on movies, commercials, animated series, and music albums. Some of IVP's notable works include Syafiq Yusof's box-office films Misteri Dilaila, KL Special Force, Abang Long Fadil 2, the animated comedy series Astrolology and Harry and Bunnie. In 2019, IVP contributed in creating "Awake", the official theme song for the World Electronic Sports Games Southeast Asia (WESG SEA). After the MCO period, IVP completed some of their most satisfying works for the blockbusters Abang Long Fadil 3, Juang, Talbis Iblis, and Polis Evo 3. IVP constantly seeks to break new ground and create new sounds while remaining anchored and relevant to the current music world.

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Biography from IMDb.

Works as
Composer
Titles
4 on MovieCove

What are Ken Hor's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Themes

share of theme weight
Survival
32%
Society
22%
Bonds
21%
Self
9%
Morality
9%
Ideas
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 0 · Relentless 1

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
2
Warm
2
Hopeful
1
Bittersweet
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ken Hor's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (3).

Subscription and free streaming for Ken Hor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Badak(2025)

    Composer

    Midcredits score: 84th percentile of all films
  • Conquer: Lahad Datu(2024)

    Composer

    Midcredits score: 76th percentile of all films
  • La Luna(2023)

    Composer

    Midcredits score: 90th percentile of all films
  • Midcredits score: 26th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2025.

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

By decade

2010s1 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Ken Hor's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 4

Approval · how many liked their films

80thpercentile
Typical film, the median of 4

Reach · how many have seen their films

57thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 25th to 49th1

Reviewers score the sound and music 63/100 in their films, across 3 reviewed titles; fans 73, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ken Hor work with?

People who share at least 2 of Ken Hor's MovieCove titles, grouped by what they did on them; Raihan Halim shares the most, 2.

Directors

Actors

Composers, cinematographers and editors

Producers