Matthew Renoir
- Cinematographer and producer
- 3 on MovieCove
What are Matthew Renoir's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matthew Renoir's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Matthew Renoir's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Ascent(2017)
Midcredits score: 37th percentile of all films
Long Live the King(2016)
Midcredits score: 79th percentile of all films
Beast Wishes(2012)
Midcredits score: 94th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2012 to 2017.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Matthew Renoir's films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up2
- 25th to 49th1
Shape of the crowd
1 of their 3 titles is Divisive.
- Divisive1
- Cult Classic1
- Crowd Pleaser1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Matthew Renoir work with?
People who share at least 2 of Matthew Renoir's MovieCove titles, grouped by what they did on them; Frank Dietz shares the most, 2.
Directors
- Frank DietzShared titles: Long Live the King (2016), Beast Wishes (2012)See all 2 shared titles with Frank Dietz
- Trish GeigerShared titles: Long Live the King (2016), Beast Wishes (2012)See all 2 shared titles with Trish Geiger
Editors
- Andrew KaschShared titles: Long Live the King (2016), Beast Wishes (2012)See all 2 shared titles with Andrew Kasch
Producers
- Frank WinspurShared titles: Long Live the King (2016), Beast Wishes (2012)See all 2 shared titles with Frank Winspur
Mixed roles
- Dana GouldShared titles: Long Live the King (2016), Beast Wishes (2012)See all 2 shared titles with Dana Gould
