Aaron I. Naar

What are Aaron I. Naar's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aaron I. Naar's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Netflix (3).

• Netflix3 titles, browse their movies on this service
  • The Boys in the Band: Something Personal (2020) · editor
  • I'll Sleep When I'm Dead (2016) · editor
  • Street Food: USA (2022) · editor
• Apple TV2 titles, browse their movies on this service
  • Watch the Sound with Mark Ronson (2021) · editor
  • Omnivore (2024) · editor
• Fandor1 title, browse their movies on this service
  • Mateo (2014) · director, writer, producer, editor
• Hulu1 title, browse their movies on this service
  • Dear Mama (2022) · writer, editor
• Paramount+1 title, browse their movies on this service
  • Made for March (2026) · editor
• STARZ1 title, browse their movies on this service
  • Warriors of Liberty City (2018) · editor

Subscription and free streaming for Aaron I. Naar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 9 with a MovieCove page.

• 

  Made for March(2026)

  Show Editor

  Midcredits score: 80th percentile of all shows (provisional, few ratings)~80^th
• 

  Omnivore(2024)

  Show 2 episodes · Additional Editing · Editor

  Midcredits score: 74th percentile of all shows74^th
• 

  STEVE! (martin) a documentary in 2 pieces (not in the MovieCove catalog yet)(2024)

  Show 1 episode · Editor
• 

  Dear Mama(2022)

  Show 1 episode · Editor · Writer

  Midcredits score: 97th percentile of all shows97^th
• 

  Street Food: USA(2022)

  Show Editor

  Midcredits score: 38th percentile of all shows38^th
• 

  Watch the Sound with Mark Ronson(2021)

  Show 1 episode · Editor

  Midcredits score: 87th percentile of all shows87^th
• 

  The Boys in the Band: Something Personal(2020)

  Editor

  Midcredits score: 82nd percentile of all films82^nd
• 

  Warriors of Liberty City(2018)

  Show Editor

  Midcredits score: 15th percentile of all shows15^th
• 

  I'll Sleep When I'm Dead(2016)

  Editor

  Midcredits score: 65th percentile of all films65^th
• 

  Mateo(2014)

  Director · Editor · Producer · Writer

  Midcredits score: 80th percentile of all films80^th

Career shape

A full career of 7 titles from 2014 to 2024.

Highest rated

Dear Mama (2022)

Midcredits 97^th

Most popular right now

Omnivore (2024)

How do Aaron I. Naar's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 83^rd percentile for acclaim.

Shape of the crowd

4 of their 9 titles are Crowd Pleasers.

43

• Universally Loved1
• Divisive1
• Crowd Pleaser4
• Mixed3

Most divisive · editor

Warriors of Liberty City (2018)

94^th percentile spread · 33% rated it 4 or lower

Most loved · writer, editor

Dear Mama (2022)

Midcredits 97^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aaron I. Naar work with?

People who share at least 2 of Aaron I. Naar's MovieCove titles, grouped by what they did on them; Nicole Vaskell shares the most, 3.