José Gastón Pavlovich Rodríguez (born June 19, 1968) is a Mexican film producer. He is the founder of Fábrica de Cine. He is of Serbo-Croatian ancestry.
Biography from TMDB.
- June 19, 1968 (58)
- Producer, also writer
- 8 on MovieCove · 14 credits in all
What are Gastón Pavlovich's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 4 · Dark 1
Grounded 6 · Stylized 1 · Heightened 0
Gentle 3 · Charged 3 · Intense 1
Steady 5 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 6 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 5 · Heavy 2
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gastón Pavlovich's films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gastón Pavlovich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
A Hand Beneath the Snow (not in the MovieCove catalog yet)(2022)
The Irishman(2019)
Midcredits score: 97th percentile of all films
108 Costuras(2018)
Midcredits score: 37th percentile of all films
Midcredits score: 10th percentile of all films
Midcredits score: 85th percentile of all films
Helena (not in the MovieCove catalog yet)(2018)
Sun Dogs(2017)
Midcredits score: 53rd percentile of all films
Silence(2016)
Midcredits score: 88th percentile of all films
Max Rose (not in the MovieCove catalog yet)(2016)
A Hologram for the King(2016)
Midcredits score: 39th percentile of all films
The Price of Desire (not in the MovieCove catalog yet)(2015)
Little Baby Jesus (not in the MovieCove catalog yet)(2013)
El Estudiante(2009)
Midcredits score: 84th percentile of all filmsUntitled Antoni Gaudí Biopic (not in the MovieCove catalog yet)
Career shape
A full career of 14 titles, 13 of them dated from 2009 to 2022.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Gastón Pavlovich's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed2
Reviewers score the dialogue 50/100 and the plot and story 45/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Gastón Pavlovich's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Gastón Pavlovich work with?
People who share at least 2 of Gastón Pavlovich's MovieCove titles, grouped by what they did on them; Léonard Glowinski shares the most, 2.
Producers
- Léonard GlowinskiShared titles: The Professor and the Madman (2019), A Hologram for the King (2016)See all 2 shared titles with Léonard Glowinski
- Manu GargiShared titles: The Professor and the Madman (2019), Sun Dogs (2017)See all 2 shared titles with Manu Gargi
- Tyler ZachariaShared titles: The Professor and the Madman (2019), Waiting for the Miracle to Come (2018)See all 2 shared titles with Tyler Zacharia
