Keizo Mimura

What are Keizo Mimura's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Keizo Mimura's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

• Fandor1 title, browse their movies on this service
  • Eighteen Years in Prison (1967) · producer
• Tubi1 title, browse their movies on this service
  • Eighteen Years in Prison (1967) · producer · free

Subscription and free streaming for Keizo Mimura's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Bohachi Bushido: Code of the Forgotten Eight(1973)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  The Kyoto Connection(1973)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Eighteen Years in Prison(1967)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Three Yakuza(1965)

  Producer

  Midcredits score: 69th percentile of all films (provisional, few ratings)~69^th

Career shape

Across a limited sample of 4 MovieCove titles from 1965 to 1973.

Highest rated

Eighteen Years in Prison (1967)

Midcredits 82^nd

Most popular right now

The Kyoto Connection (1973)

How do Keizo Mimura's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 74^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

22

• Crowd Pleaser2
• Mixed2

Most divisive · producer

Three Yakuza (1965)

71^st percentile spread · 21% rated it 4 or lower

Most loved · producer

Eighteen Years in Prison (1967)

Midcredits 82^nd · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Keizo Mimura work with?

People who share at least 2 of Keizo Mimura's MovieCove titles, grouped by what they did on them; Sadao Nakajima shares the most, 2.