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What are Rui Araizumi's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 0 · Earnest 1

Light 4 · Serious 0 · Dark 0

Grounded 0 · Stylized 1 · Heightened 3

A split, not a type: Gentle 2 · Charged 1 · Intense 1

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 4

Slow burn 0 · Even-paced 2 · Relentless 2

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
4
Absurd
2
Manic
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rui Araizumi's films?

As of October 28, 2026, none of Rui Araizumi's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Rui Araizumi's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

  • Slayers Gorgeous(1998)

    Writer

    Midcredits score: 69th percentile of all films
  • Slayers Great(1997)

    Writer

    Midcredits score: 72nd percentile of all films
  • Slayers Return(1996)

    Writer

    Midcredits score: 76th percentile of all films
  • Slayers(1995)

    Writer

    Midcredits score: 74th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1995 to 1998.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Rui Araizumi's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 4

Approval · how many liked their films

75thpercentile
Typical film, the median of 4

Reach · how many have seen their films

54thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 50th to 74th3

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rui Araizumi work with?

People who share at least 2 of Rui Araizumi's MovieCove titles, grouped by what they did on them; Hiroshi Watanabe shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers