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John-Michael Powell

John-Michael Powell

Editor, director, writer and producer · Born December 2, 1982 (43) · Chicago, Illinois, USA

John-Michael Powell is a filmmaker from Los Angeles, CA know for writing and directing Violent Ends (2024), The Send-Off (2022) and editing Sausage Party: Foodtopia and the Netflix series Dear White People (2019).

Biography from TMDB.

Born
December 2, 1982 (43)
From
Chicago, Illinois, USA
Works as
Editor, director, writer and producer
Titles
10 on MovieCove · 15 credits in all
TMDB popularity, last 156 days to Oct 27Down 20% in 30 days

What are John-Michael Powell's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 5 · Stylized 1 · Heightened 1

Gentle 2 · Charged 4 · Intense 1

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 1

Slow burn 6 · Even-paced 0 · Relentless 1

Casual 1 · Engaged 4 · Full focus 2

Resolved 2 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Contemplative
3
Melancholic
5
Hopeful
2
Romantic
1
Other
5

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John-Michael Powell's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for John-Michael Powell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 10 with a MovieCove page.

  • Violent Ends(2025)

    Director · Writer

    Midcredits score: 40th percentile of all films
  • American Manhunt: The Boston Marathon Bombing(2023)

    Show 1 episode · Editor

    Midcredits score: 81st percentile of all shows
  • The Send-Off (not in the MovieCove catalog yet)(2022)

    Director · Writer

  • Shit You Knot! (not in the MovieCove catalog yet)(2020)

    Director · Writer

  • Young Hearts(2020)

    Editor

    Midcredits score: 35th percentile of all films
  • All That Fall (not in the MovieCove catalog yet)(2018)

    Editor

  • Of Dust and Bones (not in the MovieCove catalog yet)(2018)

    Editor

  • Midcredits score: 33rd percentile of all films
  • Dear White People(2017)

    Show 5 episodes · Editor

    Midcredits score: 21st percentile of all shows
  • Ape (not in the MovieCove catalog yet)(2017)

    Editor

  • The Hive(2014)

    Associate Producer

    Midcredits score: 22nd percentile of all films
  • Bleeding Heart(2015)

    Editor

    Midcredits score: 19th percentile of all films
  • All the Wilderness(2014)

    Editor

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Obselidia(2010)

    Editor

    Midcredits score: 70th percentile of all films

Career shape

A full career of 14 titles from 2010 to 2025.

By role

only this rolewith another role
Directing3 of 14: 0 only directing, 3 with another roleWriting3 of 14: 0 only writing, 3 with another roleProducing1 of 14: 1 only producing, 0 with another roleEditing10 of 14: 10 only editing, 0 with another role · typical Midcredits score35th

14 titles, 3 with more than one role.

By decade

2010s9 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John-Michael Powell's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 7

Approval · how many liked their films

36thpercentile
Typical film, the median of 7

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th3

Reviewers score the pacing 39/100 in their films, across 6 reviewed titles; fans 54, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John-Michael Powell work with?

People who share at least 2 of John-Michael Powell's MovieCove titles, grouped by what they did on them; Anthony Willis shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers