Mitchell Kaplan
- Producer
- 5 on MovieCove
What are Mitchell Kaplan's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 0 · Dark 2
Grounded 4 · Stylized 1 · Heightened 0
A split, not a type: Gentle 3 · Charged 0 · Intense 2
A split, not a type: Steady 2 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 0 · Heavy 2
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mitchell Kaplan's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Mitchell Kaplan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
All the Bright Places(2020)
Midcredits score: 73rd percentile of all films
Let Him Go(2020)
Midcredits score: 70th percentile of all films
Midcredits score: 90th percentile of all films
Midcredits score: 80th percentile of all films
One Christmas Eve(2014)
Midcredits score: 50th percentile of all films
Career shape
Across their 5 MovieCove titles from 2014 to 2020.
How do Mitchell Kaplan's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up2
- 50th to 74th3
Shape of the crowd
3 of their 5 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mitchell Kaplan's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mitchell Kaplan work with?
People who share at least 2 of Mitchell Kaplan's MovieCove titles, grouped by what they did on them; Paula Mazur shares the most, 5.
Writers
- Thomas BezuchaShared titles: Let Him Go (2020), The Guernsey Literary and Potato Peel Pie Society (2018)See all 2 shared titles with Thomas Bezucha
Producers
- Paula MazurShared titles: All the Bright Places (2020), Let Him Go (2020), The Guernsey Literary and Potato Peel Pie Society (2018), The Man Who Invented Christmas (2017), One Christmas Eve (2014)See all 5 shared titles with Paula Mazur
- Kimi Armstrong SteinShared titles: All the Bright Places (2020), Let Him Go (2020), The Guernsey Literary and Potato Peel Pie Society (2018)See all 3 shared titles with Kimi Armstrong Stein