
Nick Taylor
Editor, writer, cinematographer, director and producer
- Editor, writer, cinematographer, director and producer
- 8 on MovieCove
What are Nick Taylor's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nick Taylor's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Prime Video (3).
Subscription and free streaming for Nick Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page.
Midcredits score: 89th percentile of all films
Midcredits score: 90th percentile of all shows
Midcredits score: 28th percentile of all shows
Midcredits score: 34th percentile of all shows
The Eleven(2017)
Midcredits score: 34th percentile of all shows
The Organizer(2017)
Midcredits score: 87th percentile of all films (provisional, few ratings)
Cash Cab(2008)
Midcredits score: 45th percentile of all shows
Know Your Mushrooms(2008)
Midcredits score: 63rd percentile of all films
Career shape
Across their 8 MovieCove titles from 2008 to 2026.
How do Nick Taylor's films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 90th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th4
Shape of the crowd
3 of their 8 titles are Mixed.
- Universally Loved1
- Divisive1
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Nick Taylor work with?
People who share at least 2 of Nick Taylor's MovieCove titles, grouped by what they did on them; Sam Dunn shares the most, 2.
Directors
- Sam DunnShared titles: The Ballad of Judas Priest (2026), Geddy Lee Asks: Are Bass Players Human Too? (2023)See all 2 shared titles with Sam Dunn

Writers
- John SemleyShared titles: The Ballad of Judas Priest (2026), We're All Gonna Die (Even Jay Baruchel) (2022)See all 2 shared titles with John Semley
Editors
- Clark MastersShared titles: The Unsolved Murder of Beverly Lynn Smith (2022), Cash Cab (2008)See all 2 shared titles with Clark Masters
Producers
- Rick KrimShared titles: The Ballad of Judas Priest (2026), Geddy Lee Asks: Are Bass Players Human Too? (2023)See all 2 shared titles with Rick Krim
- Scot McFadyenShared titles: The Ballad of Judas Priest (2026), Geddy Lee Asks: Are Bass Players Human Too? (2023)See all 2 shared titles with Scot McFadyen
