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James M. Costello

Cinematographer, also producer

Works as
Cinematographer, also producer
Titles
14 on MovieCove

What are James M. Costello's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 3 · Open-ended 1 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James M. Costello's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for James M. Costello's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Somebody's Son(2025)

    Show Cinematographer

    Midcredits score: 48th percentile of all shows (provisional, few ratings)
  • The Ride(2023)

    Show Cinematographer

    Midcredits score: 69th percentile of all shows
  • The Ultimatum: Queer Love(2023)

    Show Cinematographer

    Midcredits score: 23rd percentile of all shows
  • Closure Mandate(2022)

    Cinematographer · Producer

  • Freedom on the Range(2022)

    Cinematographer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)
  • Marry Me Now(2022)

    Show Cinematographer

    Midcredits score: 7th percentile of all shows (provisional, few ratings)
  • The Ultimatum: Marry or Move On(2022)

    Show Cinematographer

    Midcredits score: 5th percentile of all shows
  • The Fieldhouse(2021)

    Show Cinematographer

  • True Life: Crime(2020)

    Show Cinematographer

    Midcredits score: 29th percentile of all shows
  • De Viaje Con Los Derbez(2019)

    Show Cinematographer

    Midcredits score: 37th percentile of all shows
  • Bride & Prejudice(2016)

    Show Cinematographer

    Midcredits score: 4th percentile of all shows (provisional, few ratings)
  • OutDaughtered(2016)

    Show Cinematographer

    Midcredits score: 61st percentile of all shows
  • Black November(2012)

    Cinematographer

    Midcredits score: 24th percentile of all films
  • Inale(2010)

    Cinematographer

    Midcredits score: 73rd percentile of all films (provisional, few ratings)

Career shape

Across their 14 MovieCove titles from 2010 to 2025.

By role

only this rolewith another role
Producing1 of 14: 0 only producing, 1 with another roleCinematography14 of 14: 13 only cinematography, 1 with another role · typical Midcredits score33rd

By decade

2010s5 · crew2020s9 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do James M. Costello's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of the 3 of 4 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.

Acclaim · how much people like their films

88thpercentile
Typical film, the median of 3

Approval · how many liked their films

55thpercentile
Typical film, the median of 3

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 3

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th5

Shape of the crowd

4 of their 12 titles are Divisive.

  • Universally Panned1
  • Loved with Detractors1
  • Divisive4
  • Cult Classic2
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does James M. Costello work with?

People who share at least 2 of James M. Costello's MovieCove titles, grouped by what they did on them; Chris Coelen shares the most, 4.

Directors

Actors

Editors

Producers

Mixed roles