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Joel Crawford

Joel Crawford

Director, writer and producer · Born March 9, 1975 (51) · Long Beach, , California, USA

Oscar nominee · BAFTA Award nominee

Joel Crawford is an American film director and storyboard artist. He is best known for directing the DreamWorks Animation films The Croods: A New Age (2020) and Puss in Boots: The Last Wish (2022), with the latter nominated him for the Academy Award for Best Animated Feature. Description above from the Wikipedia article Joel Crawford (director), licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
March 9, 1975 (51)
From
Long Beach, , California, USA
Works as
Director, writer and producer
Titles
13 on MovieCove
TMDB popularity, last 157 days to Oct 28Up 8% in 30 days

What are Joel Crawford's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
32%
Bonds
28%
Society
16%
Survival
11%
Morality
8%
Power
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

Grounded 0 · Stylized 0 · Heightened 5

A split, not a type: Gentle 3 · Charged 1 · Intense 1

A split, not a type: Steady 3 · Shifting 1 · Whiplash 1

Straight-faced 0 · Some laughs 2 · Funny 3

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
4
Thrilling
3
Warm
2
Hopeful
1
Tense
1
Other
2

How their films end

  • Happy4
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joel Crawford's films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for Joel Crawford's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

Career shape

A full career of 13 titles from 2011 to 2026.

Film career

By role

only this rolewith another role
Acting3 of 13: 0 only acting, 3 with another roleDirecting4 of 13: 1 only directing, 3 with another roleWriting4 of 13: 3 only writing, 1 with another roleProducing1 of 13: 1 only producing, 0 with another roleOther crew5 of 13: 5 only other crew, 0 with another role · typical Midcredits score45th

13 titles, 3 with more than one role.

By decade

2010s5 · crew2020s8 · 3 acting · 8 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 2023.

  1. 2023
    • Oscar, nominated · Best Animated Feature Film
    • BAFTA Award, nominated · Best Animated Feature Film

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Joel Crawford's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 13; across their 5 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 5

Approval · how many liked their films

76thpercentile
Typical film, the median of 5

Reach · how many have seen their films

90thpercentile
Typical film, the median of 5

Midcredits score across 13 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

5 of their 13 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser3
  • Mixed5

Reviewers score the atmosphere 74/100 and the pacing 50/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Joel Crawford's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 41 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 20 · mildMedian of all films: 32
Profanity4 titlesmedian 31 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 11 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 57 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Joel Crawford work with?

People who share at least 2 of Joel Crawford's MovieCove titles, grouped by what they did on them; Mark Swift shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers