Pamela Livia Delgado
Producer · Born September 24, 1979 (47) · Lima, Perú
Producer. Now at Cepa Audiovisual SRL.
Biography from TMDB.
- September 24, 1979 (47)
- Lima, Perú
- Producer
- 7 on MovieCove · 25 credits in all
What are Pamela Livia Delgado's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 3 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 2
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 1 · Open-ended 3 · Ambiguous 1
Moods and endings
- Bittersweet4
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pamela Livia Delgado's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Pamela Livia Delgado's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 7 with a MovieCove page.
La casaca de Dios(2026)
Midcredits score: 54th percentile of all films
Gunman (not in the MovieCove catalog yet)(2025)
The Messenger (not in the MovieCove catalog yet)(2024)
Trilogía Muda (not in the MovieCove catalog yet)(2022)
Midcredits score: 73rd percentile of all films
Vicenta (not in the MovieCove catalog yet)(2020)
Descubriendo a José Padilla (not in the MovieCove catalog yet)(2020)
La chancha (not in the MovieCove catalog yet)(2020)
Las Vegas (not in the MovieCove catalog yet)(2018)
When You No Longer Love Me (not in the MovieCove catalog yet)(2018)
Recreo(2018)
Midcredits score: 32nd percentile of all films
Los sentidos (not in the MovieCove catalog yet)(2017)
Pendular(2017)
Midcredits score: 54th percentile of all films
Nobody's Watching(2017)
Midcredits score: 66th percentile of all films
El (im)posible olvido (not in the MovieCove catalog yet)(2016)
The Candidate (not in the MovieCove catalog yet)(2016)
Cartoneros (not in the MovieCove catalog yet)(2016)
Magallanes(2015)
Midcredits score: 93rd percentile of all films
La vida después (not in the MovieCove catalog yet)(2015)
The Film Critic(2013)
Midcredits score: 47th percentile of all filmsWomen Are Late (not in the MovieCove catalog yet)(2012)
La araña (not in the MovieCove catalog yet)(2010)
The Call (not in the MovieCove catalog yet)(2009)
The Hush (not in the MovieCove catalog yet)(2009)
El último bandoneón (not in the MovieCove catalog yet)(2006)
Career shape
A full career of 24 titles from 2006 to 2026.
Biggest box office
Magallanes (2015)
Highest rated
Magallanes (2015)
Most popular right now
Ariel: Back to Buenos Aires (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Pamela Livia Delgado's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
3 of their 7 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pamela Livia Delgado work with?
People who share at least 2 of Pamela Livia Delgado's MovieCove titles, grouped by what they did on them; Felicitas Raffo shares the most, 3.
Directors
- Hernán GuerschunyShared titles: Recreo (2018), The Film Critic (2013)See all 2 shared titles with Hernán Guerschuny
Composers, cinematographers and editors
- Agustín RolandelliShared titles: Recreo (2018), The Film Critic (2013)See all 2 shared titles with Agustín Rolandelli
- Juan Blas CaballeroShared titles: Recreo (2018), The Film Critic (2013)See all 2 shared titles with Juan Blas Caballero
- Marcelo LavintmanShared titles: Recreo (2018), The Film Critic (2013)See all 2 shared titles with Marcelo Lavintman
Producers
- Felicitas RaffoShared titles: Ariel: Back to Buenos Aires (2022), Pendular (2017), Magallanes (2015)See all 3 shared titles with Felicitas Raffo
- Pablo UdenioShared titles: Recreo (2018), The Film Critic (2013)See all 2 shared titles with Pablo Udenio
- Andrés LongaresShared titles: Pendular (2017), Magallanes (2015)See all 2 shared titles with Andrés Longares
