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MovieCove

Joseph McCasland

Editor

Works as
Editor
Titles
8 on MovieCove

What are Joseph McCasland's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Survival.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 1 · Stylized 3 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 4

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Absurd
4
Dread
3
Contemplative
5
Joyful
2
Other
3

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joseph McCasland's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Joseph McCasland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Elkhorn(2024)

    Show Editor

    Midcredits score: 41st percentile of all shows
  • 40-Love(2021)

    Editor

    Midcredits score: 17th percentile of all films
  • Allan the Dog(2020)

    Editor

    Midcredits score: 18th percentile of all films
  • Drunk Parents(2019)

    Editor

    Midcredits score: 4th percentile of all films
  • Mad Families(2017)

    Editor

    Midcredits score: 11th percentile of all films
  • Siberia(2013)

    Show Editor

    Midcredits score: 53rd percentile of all shows
  • Countdown to Apocalypse(2012)

    Show Editor

    Midcredits score: 9th percentile of all shows (provisional, few ratings)
  • Ghost Lab(2009)

    Show Editor

    Midcredits score: 9th percentile of all shows

Career shape

Across their 8 MovieCove titles from 2009 to 2024.

By role

only this rolewith another role
Editing8 of 8: 8 only editing, 0 with another role · typical Midcredits score14th

By decade

2000s1 · crew2010s4 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Joseph McCasland's films land?

Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 4

Approval · how many liked their films

14thpercentile
Typical film, the median of 4

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 4

Midcredits score across 8 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th6

Shape of the crowd

5 of their 8 titles are Mixed.

  • Universally Panned1
  • Divisive1
  • Crowd Pleaser1
  • Mixed5

Reviewers score the pacing 33/100 in their films, across 4 reviewed titles; fans 60, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joseph McCasland work with?

People who share at least 2 of Joseph McCasland's MovieCove titles, grouped by what they did on them; Fred Wolf shares the most, 3.

Directors

Cinematographers and editors

Producers