Susan Johnson

What are Susan Johnson's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Susan Johnson's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Hondros (2017) · producer · free
  • Keep on Keepin' On (2014) · producer · free
  • Being Evel (2015) · producer · free
• Prime Video2 titles, browse their movies on this service
  • Hondros (2017) · producer
  • Being Evel (2015) · producer
• Disney+1 title, browse their movies on this service
  • The Rescue (2021) · producer
• Netflix1 title, browse their movies on this service
  • The Martha Mitchell Effect (2022) · producer
• Paramount+1 title, browse their movies on this service
  • Cyndi Lauper: Let the Canary Sing (2023) · producer
• The Roku Channel1 title, browse their movies on this service
  • Hondros (2017) · producer · free

Subscription and free streaming for Susan Johnson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Porcelain War(2024)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Cyndi Lauper: Let the Canary Sing(2023)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  The Martha Mitchell Effect(2022)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  The Rescue(2021)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  Hondros(2017)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Being Evel(2015)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Keep on Keepin' On(2014)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Magic Trip: Ken Kesey's Search for a Kool Place(2011)

  Producer

  Midcredits score: 72nd percentile of all films72^nd

Career shape

Across their 8 MovieCove titles from 2011 to 2024.

Biggest box office

The Rescue (2021)

$1.1M worldwide

Highest rated

The Rescue (2021)

Midcredits 99^th

How do Susan Johnson's films land?

Their typical MovieCove film has a Midcredits score in the 89^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 84^th percentile for acclaim.

Shape of the crowd

None of their 8 titles divides audiences: 4 are Universally Loved.

44

• Universally Loved4
• Crowd Pleaser4

Most loved · producer

The Rescue (2021)

Midcredits 99^th · 96% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Susan Johnson work with?

People who share at least 2 of Susan Johnson's MovieCove titles, grouped by what they did on them; Davis Coombe shares the most, 3.