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Donna Gruneich

Donna Gruneich

Producer

Prior to having children, Donna Gruneich's work focused on the financial industry. She worked for North Carolina National Bank from 1985 through 1987, trading for the Trust Division. In 1987, she relocated to New York City and worked for Oppenheimer and Company as a Convertible Bond Sales/Trader. Donna is passionate about education and the arts. She is the past Chairman of the Board at Park City Academy and is a founding trustee of the Park City Day School Board. The bulk of her work on both boards has centered on long-term sustainability, finance and governance. She is a past board member of the Park City Institute, and she is the past Chairman of the Sundance Institute's Utah Advisory Board. Donna and her husband, Kevin, are members of Impact Partners which brings together philanthropists and filmmakers so that, together, they can create great films that entertain audiences, enrich lives, and ignite lasting social change. Through Impact Partners, Donna has been involved with films such as Children of Invention, No Impact Man, Secrecy, Meet The Patels and the Oscar-winning films, The Cove and Freeheld. Donna and Kevin are also part of Gamechanger Films which aims to shift the gender disparity in the film marketplace by tapping into the enormous yet undervalued talent pool of women directors and providing the financing necessary to bring their work to audiences worldwide. Independently of these groups they Co-Executive Produced the Oscar nominated documentary Cartel Land and Executive Produced The Bad Kids. After having a second home in Park City for over eight years, the Gruneichs moved to Park City from Connecticut permanently in 2005. They have three children-Allison, Alex and Anna-the two girls attend school on the East Coast and Alex on the West Coast.

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Biography from IMDb.

Works as
Producer
Titles
12 on MovieCove

What are Donna Gruneich's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 3 · Dark 7

Grounded 10 · Stylized 1 · Heightened 1

Gentle 2 · Charged 8 · Intense 2

Steady 7 · Shifting 5 · Whiplash 0

Straight-faced 7 · Some laughs 4 · Funny 1

Slow burn 10 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 7 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 4 · Heavy 5

Resolved 9 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Hopeful
8
Melancholic
6
Contemplative
5
Warm
3
Other
8

How their films end

  • Happy3
  • Bittersweet4
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Donna Gruneich's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Prime Video (6).

Subscription and free streaming for Donna Gruneich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • The President's Cake(2025)

    Producer

    Midcredits score: 97th percentile of all films
  • Late Bloomers(2023)

    Producer

    Midcredits score: 51st percentile of all films
  • Riddle of Fire(2023)

    Producer

    Midcredits score: 73rd percentile of all films
  • Aftershock(2022)

    Producer

    Midcredits score: 71st percentile of all films
  • The Social Dilemma(2020)

    Producer

    Midcredits score: 93rd percentile of all films
  • Before You Know It(2019)

    Producer

    Midcredits score: 19th percentile of all films
  • Night Comes On(2018)

    Producer

    Midcredits score: 72nd percentile of all films
  • Chasing Coral(2017)

    Producer

    Midcredits score: 98th percentile of all films
  • The House of Tomorrow(2017)

    Producer

    Midcredits score: 53rd percentile of all films
  • The Bad Kids(2016)

    Producer

    Midcredits score: 81st percentile of all films
  • Cartel Land(2015)

    Producer

    Midcredits score: 92nd percentile of all films
  • Meet the Patels(2014)

    Producer

    Midcredits score: 87th percentile of all films

Career shape

Across their 12 MovieCove titles from 2014 to 2025.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score77th

By decade

2010s7 · crew2020s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Donna Gruneich's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 12

Approval · how many liked their films

71stpercentile
Typical film, the median of 12

Reach · how many have seen their films

78thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up6
  • 50th to 74th5
  • Below 25th1

Shape of the crowd

5 of their 12 titles are Crowd Pleasers.

  • Universally Loved3
  • Divisive1
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Donna Gruneich's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 24 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Donna Gruneich work with?

People who share at least 2 of Donna Gruneich's MovieCove titles, grouped by what they did on them; Kevin Gruneich shares the most, 11.

Directors

Writers

Producers

Mixed roles