- Writer and producer
- 3 on MovieCove
What are David Michael Barrett's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 1
Light 2 · Serious 1 · Dark 0
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Michael Barrett's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for David Michael Barrett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Kiss Me, Kill Me(2015)
Midcredits score: 20th percentile of all films
Such Good People(2014)
Midcredits score: 18th percentile of all films
Bad Actress(2011)
Midcredits score: 12th percentile of all films
Career shape
A full career of 3 titles from 2011 to 2015.
How do David Michael Barrett's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 21st percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Mixed.
- Divisive1
- Mixed2
Reviewers score the dialogue 31/100 and the plot and story 43/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does David Michael Barrett work with?
People who share at least 2 of David Michael Barrett's MovieCove titles, grouped by what they did on them; Jonathan Dinerstein shares the most, 2.
Composers
- Jonathan DinersteinShared titles: Kiss Me, Kill Me (2015), Such Good People (2014)See all 2 shared titles with Jonathan Dinerstein
Producers
- K.M. KazeShared titles: Kiss Me, Kill Me (2015), Such Good People (2014)See all 2 shared titles with K.M. Kaze
- Beau J. GenotShared titles: Such Good People (2014), Bad Actress (2011)See all 2 shared titles with Beau J. Genot
