Athan Merrick
- Cinematographer
- 8 on Motif
What are Athan Merrick's films like?
Across their 8 Motif titles with a thematic analysis, their films lean Society and Self.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
Light 5 · Serious 3 · Dark 0
Grounded 4 · Stylized 4 · Heightened 0
A split, not a type: Gentle 4 · Charged 2 · Intense 2
Steady 6 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 2
Casual 4 · Engaged 4 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 1
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Athan Merrick's films?
As of October 24, 2026, 4 of their 8 Motif titles stream on a subscription or free service, most on Tubi (3).
- Curiosity Stream
Subscription and free streaming for Athan Merrick's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a Motif page.
Don't Look Away(2023)
Midcredits score: 2nd percentile of all films
Midcredits score: 56th percentile of all films
The Whale and the Raven(2019)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
Lost Wilderness(2015)
Midcredits score: 35th percentile of all films
The P.I. Experiment(2015)
Midcredits score: 81st percentile of all films (provisional, few ratings)
Almost Ablaze(2014)
Midcredits score: 55th percentile of all films (provisional, few ratings)
Way of Life(2013)
The Dream Factory(2012)
Midcredits score: 51st percentile of all films (provisional, few ratings)
Career shape
Across their 8 Motif titles from 2012 to 2023.
Biggest box office
Don't Look Away (2023)
Highest rated
Don't Look Away (2023)
Most popular right now
Lost Wilderness (2015)
Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Athan Merrick's films land?
Their typical Motif film has a Midcredits score in the 55th percentile, the median of the 7 of 8 with a score; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 7 titles are Divisive.
- Universally Panned1
- Divisive4
- Mixed2
Reviewers score the cinematography 60/100 in their films, across 3 reviewed titles; fans 80, detractors 35. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Athan Merrick work with?
People who share at least 2 of Athan Merrick's Motif titles, grouped by what they did on them; Steve Jones shares the most, 3.
Directors
- Steve JonesShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Steve Jones
- Todd JonesShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Todd Jones
Actors
- Dana FlahrShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Dana Flahr
- Dash LongeShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Dash Longe
- Dylan HoodShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Dylan Hood
- Todd LigareShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Todd Ligare
Cinematographers and editors
- Blake CampbellShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Blake Campbell
- Dan GibeauShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Dan Gibeau
- Dustin HandleyShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Dustin Handley
- Jill GarreffiShared titles: Almost Ablaze (2014), Way of Life (2013), The Dream Factory (2012)See all 3 shared titles with Jill Garreffi
Producers
- Jeff HarasimowiczShared titles: Almost Ablaze (2014), Way of Life (2013)See all 2 shared titles with Jeff Harasimowicz