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What are Robin de Jong's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
27%
Morality
24%
Self
19%
Survival
15%
Society
9%
Ideas
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Hopeful
3
Bittersweet
2
Tense
1
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robin de Jong's films?

As of October 24, 2026, none of Robin de Jong's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Robin de Jong's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

  • The Conductor(2018)

    Editor

    Midcredits score: 91st percentile of all films
  • Painkillers(2014)

    Editor

    Midcredits score: 62nd percentile of all films
  • Regret!(2013)

    Editor

    Midcredits score: 78th percentile of all films
  • Mike Says Goodbye!(2012)

    Editor

    Midcredits score: 68th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2012 to 2018.

By role

only this rolewith another role
Editing4 of 4: 4 only editing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Robin de Jong's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 4

Approval · how many liked their films

76thpercentile
Typical film, the median of 4

Reach · how many have seen their films

51stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robin de Jong work with?

People who share at least 2 of Robin de Jong's MovieCove titles, grouped by what they did on them; Maria Peters shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers