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David Freyne

David Freyne

Director, writer and producer

David Freyne is a director and writer, known for Dating Amber (2020), The Cured (2017) and Passing (2010).

Biography from TMDB.

Works as
Director, writer and producer
Titles
3 on MovieCove · 8 credits in all
TMDB popularity, last 157 days to Oct 28Up 24% in 30 days

What are David Freyne's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
33%
Bonds
23%
Morality
23%
Survival
12%
Society
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 2 · Stylized 1 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
1
Bittersweet
1
Joyful
1
Melancholic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Freyne's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for David Freyne's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Eternity(2025)

    Director · Writer

    Midcredits score: 83rd percentile of all films
  • Dating Amber(2020)

    Director · Executive Producer · Writer

    Midcredits score: 83rd percentile of all films
  • The Cured(2017)

    Director · Writer

    Midcredits score: 30th percentile of all films
  • The First Wave (not in the MovieCove catalog yet)(2014)

    Director · Screenplay

  • The Tree (not in the MovieCove catalog yet)(2013)

    Director · Screenplay

  • The Mill (not in the MovieCove catalog yet)(2009)

    Director · Writer

  • The Man in 301 (not in the MovieCove catalog yet)(2008)

    Director · Producer

  • The Boy Who Was Dubbed (not in the MovieCove catalog yet)(2006)

    Producer

Career shape

A full career of 8 titles from 2006 to 2025.

By role

only this rolewith another role
Directing7 of 8: 0 only directing, 7 with another roleWriting6 of 8: 0 only writing, 6 with another roleProducing3 of 8: 1 only producing, 2 with another role

8 titles, 7 with more than one role — directing and writing overlap on 6 of them.

By decade

2000s3 · crew2010s3 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do David Freyne's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 3

Approval · how many liked their films

81stpercentile
Typical film, the median of 3

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1

Reviewers score the pacing 49/100 in their films, across 3 reviewed titles; fans 57, detractors 38. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David Freyne's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 26 · mildMedian of all films: 44

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does David Freyne work with?

People who share at least 2 of David Freyne's MovieCove titles, grouped by what they did on them; Art Campion shares the most, 2.

Actors

Cinematographers and editors

Producers