Ian LeFeuvre
Ian LeFeuvre is an award winning Toronto based composer, singer, songwriter, producer and player of the many instruments that live in his studio. Always striving to further develop his wide musical skill set, in more recent years Ian has become an in-demand film/ television composer with a unique voice of his own. He prides himself on creating scores that sound organic and handmade as opposed to having come out of a can. Helping tell the story is everything for Ian - his scores are very conceptual and thematic, ranging from minimalist/transparent all the way to melodic, hooky and iconic. Ian achieves the latter of these two by drawing from the deep melodic sense of an experienced singer songwriter. This melodic sense, along with his level of proficiency on so many actual instruments (as opposed to playing samples on a keyboard) and an undying curiosity to explore, tinker and try new things are what define Ian as a composer. That and the love of how a great story can inspire him to do something he may never have otherwise done. Recent film/TV score credits include NBC/Global TV drama Nurses, CBC drama Burden of Truth, CTV/Bravo comedy/drama Carter, for which Ian is nominated for a 2020 Canadian Screen Award, and feature film James vs His Future Self, for which Ian is nominated for two 2020 Canadian Screen Awards. As a songwriter, Ian is signed to Vancouver/LA based Nettwerk publishing. Having written songs with such artists as Barenaked Ladies, Banners and Emilie Mover and recorded/toured with hip hop artist K-OS, Ian is somewhat of a veteran of the Canadian indie music scene. Ian has also composed music on countless national/international TV spots for such clients as Google, Microsoft, Nike, Budweiser, Labatt, Pepsi, Coke, Smirnoff, Pizza Hut, Ritz, Oreo, Toyota, Honda, Ford, Nissan, Acura, Hyundai and Jaguar.
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Biography from IMDb.
- Composer
- 9 on MovieCove · 14 credits in all
What are Ian LeFeuvre's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
A split, not a type: Light 4 · Serious 1 · Dark 2
Grounded 6 · Stylized 0 · Heightened 1
Gentle 2 · Charged 4 · Intense 1
Steady 1 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 3
Slow burn 3 · Even-paced 3 · Relentless 1
Casual 3 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 3 · Heavy 0
A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ian LeFeuvre's films?
As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ian LeFeuvre's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 9 with a MovieCove page.
Midcredits score: 97th percentile of all films
Daniel's Gotta Die(2022)
Midcredits score: 21st percentile of all films
The Ashgrove Experiment (not in the MovieCove catalog yet)(2024)
Ashgrove(2022)
Midcredits score: 5th percentile of all films
Midcredits score: 43rd percentile of all films
The Detail (not in the MovieCove catalog yet)(2018)
The Go-Getters(2018)
Midcredits score: 30th percentile of all films
Room for Rent(2017)
Midcredits score: 24th percentile of all films
Rive (not in the MovieCove catalog yet)(2017)
The Steps(2015)
Midcredits score: 38th percentile of all films
Hellions(2015)
Midcredits score: 4th percentile of all films
The Husband (not in the MovieCove catalog yet)(2014)
Johnny Test(2005)
Midcredits score: 9th percentile of all showsWitches X (not in the MovieCove catalog yet)
Career shape
A full career of 11 titles, 10 of them dated from 2014 to 2025.
Biggest box office
Hellions (2015)
Highest rated
James vs. His Future Self (2019)
Most popular right now
Johnny Test (2005)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ian LeFeuvre's films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 75th and up1
- 25th to 49th3
- Below 25th5
Shape of the crowd
5 of their 9 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Broadly Agreed1
- Mixed5
Reviewers score the sound and music 59/100 in their films, across 4 reviewed titles; fans 70, detractors 30. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ian LeFeuvre work with?
People who share at least 2 of Ian LeFeuvre's MovieCove titles, grouped by what they did on them; Jeremy LaLonde shares the most, 4.
Directors
- Jeremy LaLondeShared titles: Ashgrove (2022), Daniel's Gotta Die (2022), James vs. His Future Self (2019), The Go-Getters (2018)See all 4 shared titles with Jeremy LaLonde
Writers
- Jonas ChernickShared titles: Ashgrove (2022), James vs. His Future Self (2019)See all 2 shared titles with Jonas Chernick
Actors
- Christine HorneShared titles: Ashgrove (2022), The Go-Getters (2018)See all 2 shared titles with Christine Horne
- Tommie-Amber PirieShared titles: James vs. His Future Self (2019), The Go-Getters (2018)See all 2 shared titles with Tommie-Amber Pirie
Composers and cinematographers
- Robert ScarboroughShared titles: Ashgrove (2022), Daniel's Gotta Die (2022), Room for Rent (2017)See all 3 shared titles with Robert Scarborough
- Stephen KreckloShared titles: Daniel's Gotta Die (2022), James vs. His Future Self (2019), The Go-Getters (2018)See all 3 shared titles with Stephen Krecklo
- Todor KobakovShared titles: Hellions (2015), The Steps (2015)See all 2 shared titles with Todor Kobakov
Producers
- Spencer GieseShared titles: Ashgrove (2022), James vs. His Future Self (2019)See all 2 shared titles with Spencer Giese
- Jordan WalkerShared titles: James vs. His Future Self (2019), The Go-Getters (2018)See all 2 shared titles with Jordan Walker
- Mark GingrasShared titles: James vs. His Future Self (2019), Room for Rent (2017)See all 2 shared titles with Mark Gingras