Ron Stein

What are Ron Stein's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ron Stein's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • Someday This Pain Will Be Useful to You (2011) · producer · free

Subscription and free streaming for Ron Stein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Anita B.(2014)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Darkroom(2013)

  Producer

  Midcredits score: 3rd percentile of all films3^rd
• 

  Someday This Pain Will Be Useful to You(2011)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  Meskada(2010)

  Producer

  Midcredits score: 22nd percentile of all films22^nd
• 

  The Kids Are All Right(2010)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  The Romantics(2010)

  Producer

  Midcredits score: 14th percentile of all films14^th

Career shape

Across their 6 MovieCove titles from 2010 to 2014.

Biggest box office

The Kids Are All Right (2010)

$35M worldwide

Highest rated

The Kids Are All Right (2010)

Midcredits 80^th

How do Ron Stein's films land?

Their typical MovieCove film has a Midcredits score in the 27^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 25^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Mixed.

114

• Universally Panned1
• Crowd Pleaser1
• Mixed4

Most divisive · producer

Anita B. (2014)

59^th percentile spread · 20% rated it 4 or lower

Most loved · producer

The Kids Are All Right (2010)

Midcredits 80^th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ron Stein work with?

People who share at least 2 of Ron Stein's MovieCove titles, grouped by what they did on them; Roberto Faenza shares the most, 2.