Ann Foo

What are Ann Foo's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ann Foo's films?

As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (5).

• Tubi5 titles, browse their movies on this service
  • Pattern (2022) · editor · free
  • Drag Heals (2018) · editor · free
  • Christmas at the Holly Day Inn (2023) · editor · free
  • 3 Lives (2019) · editor · free
  • The Curse of Hobbes House (2020) · editor · free
• Hallmark+3 titles, browse their movies on this service
  • Paging Mr. Darcy (2024) · editor
  • To Philly with Love (2026) · editor
  • Everything Christmas (2023) · editor
• Prime Video3 titles, browse their movies on this service
  • Drag Heals (2018) · editor
  • Christmas at the Holly Day Inn (2023) · editor
  • The Curse of Hobbes House (2020) · editor · free
• Peacock1 title, browse their movies on this service
  • Drag Heals (2018) · editor
• The Roku Channel1 title, browse their movies on this service
  • Drag Heals (2018) · editor · free

Subscription and free streaming for Ann Foo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  To Philly with Love(2026)

  Editor

  Midcredits score: 46th percentile of all films46^th
• 

  A Firefighter's Christmas Calendar(2025)

  Editor

  Midcredits score: 28th percentile of all films28^th
• 

  Rodeo Christmas Romance(2025)

  Editor

  Midcredits score: 44th percentile of all films44^th
• 

  Paging Mr. Darcy(2024)

  Editor

  Midcredits score: 66th percentile of all films66^th
• 

  Christmas at the Holly Day Inn(2023)

  Editor

  Midcredits score: 20th percentile of all films20^th
• 

  Everything Christmas(2023)

  Editor

  Midcredits score: 45th percentile of all films45^th
• 

  Pattern(2022)

  Editor

  Midcredits score: 74th percentile of all films (provisional, few ratings)~74^th
• 

  The Story of Love(2022)

  Editor

  Midcredits score: 41st percentile of all films41^st
• 

  Color of Love(2021)

  Editor

  Midcredits score: 85th percentile of all films85^th
• 

  Love in Whitbrooke(2021)

  Editor

  Midcredits score: 41st percentile of all films41^st
• 

  The Curse of Hobbes House(2020)

  Editor

  Midcredits score: 3rd percentile of all films3^rd
• 

  3 Lives(2019)

  Editor

  Midcredits score: 4th percentile of all films4^th
• 

  Drag Heals(2018)

  Show Editor

  Midcredits score: 24th percentile of all shows (provisional, few ratings)~24^th

Career shape

Across their 13 MovieCove titles from 2018 to 2026.

Biggest box office

3 Lives (2019)

$13K worldwide

Highest rated

Paging Mr. Darcy (2024)

Midcredits 66^th

Most popular right now

A Firefighter's Christmas Calendar (2025)

How do Ann Foo's films land?

Their typical MovieCove film has a Midcredits score in the 43^rd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 49^th percentile for acclaim.

Shape of the crowd

7 of their 13 titles are Mixed.

227

• Universally Panned1
• Divisive2
• Cult Classic1
• Crowd Pleaser2
• Mixed7

Most divisive · editor

Drag Heals (2018)

99^th percentile spread · 45% rated it 4 or lower

Most loved · editor

Color of Love (2021)

Midcredits 85^th · 76% liked

Reviewers score the pacing 31/100 in their films, across 9 reviewed titles; fans 44, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ann Foo work with?

People who share at least 2 of Ann Foo's MovieCove titles, grouped by what they did on them; Sebastian Battro shares the most, 6.