Paul Pilot
- Composer
- 11 on MovieCove · 13 credits in all
What are Paul Pilot's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Society and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 2
Grounded 6 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 3 · Heavy 1
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet8
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Pilot's films?
As of October 24, 2026, all 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Paul Pilot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 11 with a MovieCove page.
Watershed(2024)
Midcredits score: 85th percentile of all shows
Midcredits score: 80th percentile of all films
Midcredits score: 47th percentile of all shows
Midcredits score: 62nd percentile of all shows
Laurel Canyon(2020)
Midcredits score: 94th percentile of all shows
Museum Town(2019)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
A Final Cut for Orson: 40 Years in the Making (not in the MovieCove catalog yet)(2018)
Satan & Adam(2018)
Midcredits score: 90th percentile of all films
Finding Oscar(2016)
Midcredits score: 86th percentile of all films
The Man vs. The Machine (not in the MovieCove catalog yet)(2014)
Bidder 70(2012)
Midcredits score: 64th percentile of all films
An Education(2009)
Midcredits score: 89th percentile of all films
Career shape
A full career of 10 titles from 2009 to 2024.
Film career
- 2009Screen debut· An Education
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paul Pilot's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of the 6 of 7 with a score; across their 5 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up6
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
6 of their 10 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser6
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Pilot work with?
People who share at least 2 of Paul Pilot's MovieCove titles, grouped by what they did on them; Ryan Suffern shares the most, 7.
Directors
- Ryan SuffernShared titles: Watershed (2024), Jazz Fest: A New Orleans Story (2022), Mr. A & Mr. M: The Story of A&M Records (2021), Laurel Canyon (2020), Satan & Adam (2018), Finding Oscar (2016), Bidder 70 (2012)See all 7 shared titles with Ryan Suffern
- Alison EllwoodShared titles: San Francisco Sounds: A Place in Time (2023), Laurel Canyon (2020)See all 2 shared titles with Alison Ellwood
Cinematographers and editors
- Martin SingerShared titles: Jazz Fest: A New Orleans Story (2022), Mr. A & Mr. M: The Story of A&M Records (2021), Satan & Adam (2018), Finding Oscar (2016)See all 4 shared titles with Martin Singer
- Samuel PainterShared titles: San Francisco Sounds: A Place in Time (2023), Mr. A & Mr. M: The Story of A&M Records (2021), Laurel Canyon (2020)See all 3 shared titles with Samuel Painter
- Anoosh TertzakianShared titles: San Francisco Sounds: A Place in Time (2023), Laurel Canyon (2020)See all 2 shared titles with Anoosh Tertzakian
- Mike ParryShared titles: Jazz Fest: A New Orleans Story (2022), Finding Oscar (2016)See all 2 shared titles with Mike Parry
Producers
- Frank MarshallShared titles: San Francisco Sounds: A Place in Time (2023), Jazz Fest: A New Orleans Story (2022), Mr. A & Mr. M: The Story of A&M Records (2021), Laurel Canyon (2020), Satan & Adam (2018), Finding Oscar (2016)See all 6 shared titles with Frank Marshall
- Alex BowenShared titles: Jazz Fest: A New Orleans Story (2022), Mr. A & Mr. M: The Story of A&M Records (2021), Laurel Canyon (2020), Satan & Adam (2018)See all 4 shared titles with Alex Bowen
- Jeffrey PollackShared titles: San Francisco Sounds: A Place in Time (2023), Laurel Canyon (2020), Satan & Adam (2018)See all 3 shared titles with Jeffrey Pollack
- Jill BurkhartShared titles: San Francisco Sounds: A Place in Time (2023), Mr. A & Mr. M: The Story of A&M Records (2021), Laurel Canyon (2020)See all 3 shared titles with Jill Burkhart