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Alexis Marsh

Composer · Born October 11, 1982 (44) · Winnipeg, Manitoba, Canada

Alexis Dyan Marsh was born on October 11, 1982, in Winnipeg, Manitoba, Canada. She is a composer, known for Animal Kingdom (2016), Next Gen (2018), and a songwriter, known for the band, DYAN. She moved from Toronto to Los Angeles to attend the USC Scoring for Motion Picture and Television in 2009, and has gone on to score 17 feature films and 6 seasons of television. Her songs have been in over 40 productions: shorts, features, network & cable television. She lives in Cincinnati, Ohio with her family.

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Biography from IMDb.

Born
October 11, 1982 (44)
From
Winnipeg, Manitoba, Canada
Works as
Composer
Titles
14 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 6% in 30 days

What are Alexis Marsh's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 43rd percentile, at or above their average across these genres
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 40th percentile
: browse their Crime movies
Comedy2 titlesTypical Midcredits score: 41st percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
47%
Bonds
23%
Survival
13%
Morality
12%
Society
4%
Family bonds3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeMemory2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 8 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 7 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 8 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 4 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
7
Contemplative
5
Bittersweet
4
Hopeful
4
Other
7

How their films linger

Bittersweet10 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Bittersweet11
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexis Marsh's films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Alexis Marsh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 14 with a MovieCove page.

  • Pluvia (not in the MovieCove catalog yet)(2026)

    Composer

  • Jazzy(2024)

    Composer

    Midcredits score: 51st percentile of all films

  • The Unknown Country(2022)

    Composer

    Midcredits score: 61st percentile of all films

  • A Scavenger Hunt For People Loneliest In Their Own Homes (not in the MovieCove catalog yet)(2022)

    Composer

  • Next Gen(2018)

    Composer

    Midcredits score: 67th percentile of all films

  • Intersection(2015)

    Composer

    Midcredits score: 75th percentile of all films

  • 1948: Creation & Catastrophe(2017)

    Composer

    Midcredits score: 92nd percentile of all films

  • Equity(2016)

    Composer

    Midcredits score: 34th percentile of all films

  • Delinquent(2016)

    Composer

    Midcredits score: 36th percentile of all films

  • You See Me (not in the MovieCove catalog yet)(2015)

    Composer

  • 20 Years of Madness(2015)

    Composer

    Midcredits score: 55th percentile of all films (provisional, few ratings)

  • Lila & Eve(2015)

    Composer

    Midcredits score: 40th percentile of all films

  • Odyssea (not in the MovieCove catalog yet)(2014)

    Composer

  • Half Brother(2014)

    Composer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)

  • Preservation(2014)

    Composer

    Midcredits score: 9th percentile of all films

  • We'll Never Have Paris(2014)

    Composer

    Midcredits score: 5th percentile of all films

  • Farah Goes Bang(2013)

    Composer

    Midcredits score: 76th percentile of all films

  • I Am I(2013)

    Composer

    Midcredits score: 30th percentile of all films

  • Alaska Is a Drag (not in the MovieCove catalog yet)(2012)

    Composer

  • The A-Word (not in the MovieCove catalog yet)(2010)

    Composer

Career shape

A full career of 12 titles from 2010 to 2026.

Biggest box office

Next Gen (2018)

$2.4M worldwide

Highest rated

Next Gen (2018)

Midcredits 67th

By role

only this rolewith another role
Music12 of 12: 12 only music, 0 with another role · typical Midcredits score64th

By decade

2010s8 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexis Marsh's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 13

Approval · how many liked their films

36thpercentile
Typical film, the median of 13

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

7 of their 14 titles are Mixed.

  • Loved with Detractors1
  • Divisive2
  • Cult Classic3
  • Crowd Pleaser1
  • Mixed7

Most divisive · composer

Farah Goes Bang (2013)

97th percentile spread · 36% rated it 4 or lower

Most loved · composer

1948: Creation & Catastrophe (2017)

Midcredits 92nd · 76% liked

Reviewers score the sound and music 67/100 in their films, across 3 reviewed titles; fans 76, detractors 57. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alexis Marsh work with?

People who share at least 2 of Alexis Marsh's MovieCove titles, grouped by what they did on them; Samuel Jones shares the most, 12.

Directors

Writers

Actors

Composers and cinematographers

Producers