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Mary Jane Wells

Mary Jane Wells

Actor

Mary-Jane is an actress, writer, voiceover artist and radio host, in happy collusion with the cult of Mary Well's that turn up as vocal performers (the motown singer, the Scottish opera singer, and the boozy 18th century star of Drury Lane). This Mary Wells trained as an actress at the Royal Scottish Academy of Music and Drama in 1998, and began the regular back and forth to LA in 2009. She uses her full name, Mary-Jane Wells, for voice work which has been regular for 14 years in narration and commercial, and full time since 2012. Work in the UK also embraced a balance of classic and new work for theatre and many tours, and lead and supporting roles for film and TV. Before leaving Scotland, she was in Jo Clifford's radical adaptation of Faust, parts One and Two at the Royal Lyceum, Edinburgh, (nominated for 12 "CATS" awards - Critics Awards For Theatre In Scotland), the title role of Electra in David Hare's adaptation for a research project with The Voice Studio in London, and the Irish lead in Cuchulainn, Hound of Ulster with Cahoots Northern Ireland, performing at the Smithsonian, in Washington DC in 2007. She performed Cyprus after its West End transfer to Trafalga Studios, and from there departed for sunnier shores for a residency with Honolulu theatre in Hawai'i for a year in 2008 - playing Aerial in The Little Mermaid. She returned to the UK for BBC drama - Half Moon Investigates, where she played series regular, the hapless Miss Heeley. In 2009, she decided to make a home in LA after performing a solo show for a year and 2 Broadway tours of the Red Balloon and Martha across the United States and Canada. Both shows enjoyed successful runs at the New Victory theatre in New York, the Mark Taper Forum and the Kennedy Centre. She won the coveted Victor Audience Award for Best Play for her solo show Martha from the Annenberg Centre. On arrival in LA she hosted the twice monthly Mary Wells Show aired to a cult following on KCLAFM which was described as a mixture of 'relevant irreverent feature and talk' and worked as an on-camera actress, winning an LA Comedy Award for Divine White's Introduction to Hollywood, and festival awards with indie film hit Elena Undone. Her next movie with John Heard, playing opposite Morgan Fairchild, A Perfect Ending launched in 2012, played at BFI in London on Valentine's day, and at Frameline, San Francisco. It broke all records for Wolfe Video in both the UK and the USA. It has been the highest selling movie ever for them in Pre-Orders alone. By March 1st 2013 it became the highest downloaded drama in the LGBT section for amazon UK and amazon USA. Mary Jane then starred in Jen Forster's music video for She4Me for marriage equality, filmed at the Andaz West Hollywood, and is in How To Train Your Dragon 2, which opens in june 2014 with Cate Blanchett and Gerard Butler, for Dreamworks. She is also in Crazy Bitches, as one of the 6 bitchy leads, for Film McQueen and HBO's The Newsroom, as Josie Marks. Latterly, she was the series voice for BBC3's My Childhood which won a Scottish BAFTA, and has happily voiced many documentaries, animations and videogames in her own home studio, with an eye to developing motion and facial capture. She is beginning to write copy and score commercials and web promos also. She is the voice of LinkedIn, Sunny Finance, Eharmony, Puma (Mobium). One videogame http://www.lifelessplanet.com/ comes out soon, but the other videogame which is out in the spring, she is sworn to secrecy on! She is repped By Atlas talent and managed by Kepler Entertainment. She is interesting in training and in supporting the growth of other artists, and also works as a performance reviewer for the National Council for Drama training, London, and more informally with Dr Nadine George of The Voice Studio International., with whom she does intensive vocal training every year. Mary has just completed a research paper on the breakthrough vocal technique of Dr George with the artistic directors of The National Theatre Scotland and the Traverse theatre, led by Ros Steen, Head of Voice at the Royal Scottish Academy of Music and Drama in Scotland. This research is being written up for publication this year in association with the Centre for Voice in Performance, RSAMD, UK. Mary is also a writer with a highly successful adaptation of Virginia Ironside's The Huge Bag of Worries which has run consistently since 2002 in Scotland with sponsorship from BBC's Children in Need and also the British Council. Her play for trapeze Hester and Jude was shortlisted by the Almeida Theatre, London and is now being adapted for screen. Her monologue from I Confess is also published with Fairplay press, after she was sponsored by the Jerwood Space and The Arts Council as lead artist on I Confess, a show for London. In LA, she is writing her second one-woman show based on a woman in the US military, at www.heroinetheplay. com, and is pitching a pilot with mentoring help from Jessica Sharzer (American Horror Story). She is a member of Joan Scheckel's film collaborative, by invitation here in LA.

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Biography from IMDb.

Works as
Actor
Titles
8 on MovieCove · 10 credits in all
TMDB popularity, last 39 days to Oct 28Down 15% in 30 days

What are Mary Jane Wells' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Power.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 0 · Charged 2 · Intense 1

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

Resolved 1 · Open-ended 1 · Ambiguous 1

Roles they play

1 analyzed role

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Romantic
2
Melancholic
2
Dread
1
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mary Jane Wells' films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Mary Jane Wells' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

  • Monster High(2022)

    Show 3 episodes · as Catarina Stripe (voice)

    Midcredits score: 30th percentile of all shows
  • Hello Neighbor: Welcome to Raven Brooks(2020)

    Show as Principal Abanante

    Midcredits score: 69th percentile of all shows
  • The Tangle(2019)

    as Margot

    Midcredits score: 19th percentile of all films
  • Crazy Bitches (not in the MovieCove catalog yet)(2014)

    as Princess

  • Haunting of the White Sparrow (not in the MovieCove catalog yet)(2013)

    Actor

  • The Newsroom(2012)

    Show 1 episode · as Josie Marks

    Midcredits score: 98th percentile of all shows
  • A Perfect Ending(2012)

    as Shirin

    Midcredits score: 39th percentile of all films
  • Elena Undone(2010)

    as Wave

    Midcredits score: 58th percentile of all films
  • Sex and the City(1998)

    Show 1 episode · as Mrs. Healy

    Midcredits score: 67th percentile of all shows
  • Regeneration(1997)

    as VAD nurse (uncredited)

    Midcredits score: 72nd percentile of all films

Career shape

Star power in the 65th percentile of 239,109 people with a billed film role, over a full career of 9 titles from 1997 to 2022; peak year 2011.

Film career

19972022

Peak 2011 · at the high point of their film career. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

By role

only this rolewith another role
Acting9 of 9: 9 only acting, 0 with another role · typical Midcredits score58th

By decade

1990s2 · acting2010s6 · acting2020s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mary Jane Wells' films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 3

Approval · how many liked their films

49thpercentile
Typical film, the median of 3

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 3

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

2 of their 8 titles are Cult Classics.

  • Universally Loved1
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser2
  • Mixed2

Reviewers score the acting 63/100 in their films, across 3 reviewed titles; fans 78, detractors 27. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mary Jane Wells work with?

People who share at least 2 of Mary Jane Wells' MovieCove titles, grouped by what they did on them; Nicole Conn shares the most, 2.

Directors

Cinematographers

Producers