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An ex-Army sergeant turned Emmy award-winning filmmaker, Charlene won the Audience Award at the ATLFF and Best Doc at LCFF for her documentary, THE FOUNDERS. She followed that film with four award winning short films LIMERENCE, THE LICK, RIDESHARE and THE MOTH. She directed the Emmy winning web series INTERSECTION and most recently she directed network episodes for Discovery and TLC. Her talents aren't confined to the director's chair, she also co-produced and edited MARGARET MITCHELL American Rebel for PBS, the feature film MAN MADE about trans bodybuilders and the short film HOME FIELD which premiered at Tribeca. As a cinematographer she has lensed shows for Magnolia Network, Discovery, Disney, ESPN as well as several short films and a web series. As a writer, her scripts have been selected for Stowe Story lab, Southern Producers lab, Cinestory lab and garnered recognition from Screen Craft and the Austin Film Festival. Beyond her professional achievements, Charlie is a steadfast advocate for the transformative power of storytelling both in practice and in consumption and sees it as a catalyst for profound change and connection within communities.

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Biography from IMDb.

Works as
Cinematographer, producer, director and editor
Titles
8 on MovieCove

What are Charlene Fisk's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 3 · Stylized 0 · Heightened 0

Gentle 3 · Charged 0 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
7
Warm
4
Joyful
2
Tense
2
Contemplative
2
Other
5

How their films end

  • Happy2
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charlene Fisk's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charlene Fisk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Christmas with Jerks(2023)

    Producer

    Midcredits score: 14th percentile of all films
  • No One Can Hear You Scream(2022)

    Show Director

    Midcredits score: 18th percentile of all shows
  • Mind for Design(2021)

    Show Cinematographer

    Midcredits score: 42nd percentile of all shows (provisional, few ratings)
  • 1000-lb Sisters(2020)

    Show Director · Cinematographer · Producer

    Midcredits score: 23rd percentile of all shows
  • Family by the Ton(2018)

    Show Cinematographer

    Midcredits score: 31st percentile of all shows
  • Man Made(2018)

    Editor · Producer

    Midcredits score: 85th percentile of all films (provisional, few ratings)
  • The Founders(2016)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 67th percentile of all films
  • Double Divas(2013)

    Show Cinematographer

    Midcredits score: 23rd percentile of all shows

Career shape

Across their 8 MovieCove titles from 2013 to 2023.

By role

only this rolewith another role
Directing3 of 8: 1 only directing, 2 with another roleProducing4 of 8: 1 only producing, 3 with another roleCinematography5 of 8: 3 only cinematography, 2 with another role · typical Midcredits score31stEditing2 of 8: 0 only editing, 2 with another role

8 titles, 3 with more than one role — cinematography and producing overlap on 2 of them.

By decade

2010s4 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Charlene Fisk's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 3

Approval · how many liked their films

65thpercentile
Typical film, the median of 3

Reach · how many have seen their films

26thpercentile
Typical film, the median of 3

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charlene Fisk work with?

People who share at least 2 of Charlene Fisk's MovieCove titles, grouped by what they did on them; Keely Walker Muse shares the most, 5.

Cinematographers and editors

Producers