Anton Iffland Stettner

What are Anton Iffland Stettner's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anton Iffland Stettner's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • U Are the Universe (2024) · producer · free

Subscription and free streaming for Anton Iffland Stettner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  L'île de la Demoiselle(2026)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Marie Madeleine(2026)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Welded Together(2025)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  U Are the Universe(2024)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  The Successor(2023)

  Producer

  Midcredits score: 69th percentile of all films69^th
• 

  The Restless(2021)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  L'homme a mangé la terre(2019)

  Producer

  Midcredits score: 96th percentile of all films96^th

Career shape

Across their 7 MovieCove titles from 2019 to 2026.

Biggest box office

The Successor (2023)

$1.2M worldwide

Highest rated

U Are the Universe (2024)

Midcredits 96^th

How do Anton Iffland Stettner's films land?

Their typical MovieCove film has a Midcredits score in the 72^nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 81^st percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

241

• Universally Loved2
• Crowd Pleaser4
• Mixed1

Most loved · producer

U Are the Universe (2024)

Midcredits 96^th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anton Iffland Stettner work with?

People who share at least 2 of Anton Iffland Stettner's MovieCove titles, grouped by what they did on them; Eva Kuperman shares the most, 7.