Adrienne Sterman

What are Adrienne Sterman's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adrienne Sterman's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

• Netflix3 titles, browse their movies on this service
  • L.O.L. Surprise! House of Surprises (2021) · producer
  • Dinosaur King (2007) · writer
  • Rainbow High (2020) · writer
• The Roku Channel3 titles, browse their movies on this service
  • Dinosaur King (2007) · writer · free
  • L.O.L Surprise! Winter Disco (2019) · producer · free
  • Darkness (2017) · producer · free
• Tubi2 titles, browse their movies on this service
  • Gordon Ramsay's 24 Hours to Hell and Back (2018) · producer · free
  • Dinosaur King (2007) · writer · free
• Prime Video1 title, browse their movies on this service
  • L.O.L Surprise! Winter Disco (2019) · producer

Subscription and free streaming for Adrienne Sterman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Rainbow World: The Movie(2024)

  Writer

  Midcredits score: 38th percentile of all films (provisional, few ratings)~38^th
• 

  L.O.L. Surprise: The Movie(2021)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  L.O.L. Surprise! House of Surprises(2021)

  Show Producer

  Midcredits score: 41st percentile of all shows (provisional, few ratings)~41^st
• 

  Rainbow High(2020)

  Show Writer

  Midcredits score: 35th percentile of all shows35^th
• 

  L.O.L Surprise! Winter Disco(2019)

  Producer

  Midcredits score: 35th percentile of all films (provisional, few ratings)~35^th
• 

  Gordon Ramsay's 24 Hours to Hell and Back(2018)

  Show Producer

  Midcredits score: 59th percentile of all shows59^th
• 

  Darkness(2017)

  Show Producer

  Midcredits score: 33rd percentile of all shows (provisional, few ratings)~33^rd
• 

  Jungletown(2017)

  Show Producer

  Midcredits score: 7th percentile of all shows7^th
• 

  Deadliest Catch: Dungeon Cove(2016)

  Show Producer

  Midcredits score: 17th percentile of all shows17^th
• 

  Dinosaur King(2007)

  Show Writer

  Midcredits score: 41st percentile of all shows41^st

Career shape

Across their 10 MovieCove titles from 2007 to 2024.

Biggest box office

L.O.L. Surprise: The Movie (2021)

$153K worldwide

Highest rated

Gordon Ramsay's 24 Hours to Hell and Back (2018)

Midcredits 59^th

Most popular right now

Rainbow High (2020)

How do Adrienne Sterman's films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 30^th percentile for acclaim.

Shape of the crowd

6 of their 10 titles are Divisive.

63

• Divisive6
• Crowd Pleaser1
• Mixed3

Most divisive · producer

L.O.L. Surprise: The Movie (2021)

99^th percentile spread · 48% rated it 4 or lower

Most loved · producer

Gordon Ramsay's 24 Hours to Hell and Back (2018)

Midcredits 59^th · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Adrienne Sterman work with?

People who share at least 2 of Adrienne Sterman's MovieCove titles, grouped by what they did on them; Brenna Larsen shares the most, 3.