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Christopher Rush Harrington

Christopher Rush Harrington

Producer

Christopher Rush Harrington: Co-Founder of Zone9 Films Outpost Media, Inc. and Sugar Pictures LLC, is all an Actor/Director/Writer/Producer for film and media. Chris was raised in the Midwest, left home at 16 years old to play Soccer in Europe. Chris first fell in love with acting in San Francisco after being injured in a Soccer match, he was offered a role in the play "You Can't Take It With You". His very next audition in 1991, he was offered the lead and went on to be nominated for an Irene Ryan Acting Award for his portrayal of Tajomaru in the play "Rashamon". In 1992, Chris was hired to run CHIAT/DAY advertising's Audio Visual Department as their global AV Director where he cut their new business reels and story boards for several years. In 1994, he wrote, produced and starred in his first film, "Bullhead". The Movie "Bullhead" premiered at Raleigh Studios, was accepted to the IFFM and was distributed by Landmark Theatres. In 1995 he was recruited by a producer at TBWA Chiat/Day Advertising to do some scratch voice over work and soon was retained by Special Artists Agency. Chris ended up making a living doing voiceover work for many years and was the voice of several national campaigns with Sony, Fox, Nissan to name a few. Soon after he fell in love with is lifetime partner, Christina Laughlin, a talented actress and writer in her own right. Chris and Christina partnered with her father and legendary independent filmmaker, Tom Laughlin and his production company Billy Jack Enterprises and produced and edited the Indian gaming documentary entitled, "End Game". In the process Tom Laughlin convinced and offered to bankroll Chris in becoming a trained Editor. This experience inspired and changed Chris's entire perspective in the story telling process. Soon after he landed a five-picture deal with then WIREBREAK Ent. and went on to creatively produce and co-edit the online mini series hit, "The Best Man?" which was nominated for best Screenplay in the 2000 Pixie Awards.. "The Best Man?" went on to be distributed by Total Movie DVD. Chris, in his pursuit to learn every aspect of the filmmaking process was eventually hired to help build out the Business Development department for Company 3, a premiere DI/COLOR post house in Hollywood. Years later he was snatched up by Tunnel Post as a Lead Producer to help post produce an HBO series and DI produce 3 feature films. Christopher was quickly lured back into the editorial side and was hired as an additional editor in 2012 on a filmmaker friend's feature film Documentary. In May of that same year he decided to do what he had always dreamed of doing which was to create a film production company with its own file based post facility to support its slate of pictures both creatively and financially. He partnered with a successful Canadian Writer/Producer/Director and one of most sought after comedic commercial Directors in the industry to create this international Feature Film Post House and Feature Film Production Company, OUTPOST MEDIA, INC. (OutPost). OutPost lensed and posted seven motion pictures within a 3 year period. All of them received global distribution. In 2016 Christopher teamed up with his long time friend and past collaborator and Director, Jijo Reed and a visionary feature film Editor, Paul Buhl, to create SUGAR PICTURES. In 2017 and 2018 SUGAR PICTURES has gone on to produce and co-produce 4 feature films, 2 of which have received theatrical distribution. Today, Christopher is developing several IPs and is contracted to Direct his first feature film in 2019. He resides in Malibu, California with his wife and 2 children.

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Biography from IMDb.

Works as
Producer
Titles
14 on MovieCove

What are Christopher Rush Harrington's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 3 · Dark 4

Grounded 11 · Stylized 2 · Heightened 1

A split, not a type: Gentle 4 · Charged 3 · Intense 7

Steady 7 · Shifting 6 · Whiplash 1

Straight-faced 7 · Some laughs 6 · Funny 1

Slow burn 6 · Even-paced 6 · Relentless 2

A split, not a type: Casual 7 · Engaged 6 · Full focus 1

Resolved 9 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
5
Thrilling
6
Warm
3
Absurd
3
Other
8

How their films end · 3 with a twist

  • Happy4
  • Bittersweet6
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Christopher Rush Harrington's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Christopher Rush Harrington's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Hostile Takeover(2025)

    Producer

    Midcredits score: 21st percentile of all films
  • King of Killers(2023)

    Producer

    Midcredits score: 9th percentile of all films
  • Dylan & Zoey(2022)

    Producer

    Midcredits score: 55th percentile of all films
  • Hustle Down(2021)

    Producer

    Midcredits score: 3rd percentile of all films
  • Me You Madness(2021)

    Producer

    Midcredits score: 12th percentile of all films
  • Midcredits score: 37th percentile of all films
  • American Dreamer(2018)

    Producer

    Midcredits score: 47th percentile of all films
  • Battle Drone(2018)

    Producer

    Midcredits score: 34th percentile of all films
  • Larceny(2017)

    Producer

    Midcredits score: 3rd percentile of all films
  • The Recall(2017)

    Producer

    Midcredits score: 11th percentile of all films
  • Shelby(2014)

    Producer

    Midcredits score: 15th percentile of all films
  • Midcredits score: 27th percentile of all films (provisional, few ratings)
  • Pete's Christmas(2013)

    Producer

    Midcredits score: 40th percentile of all films
  • No One Will Know(2012)

    Producer

    Midcredits score: 5th percentile of all films

Career shape

Across their 14 MovieCove titles from 2012 to 2025.

By role

only this rolewith another role
Producing14 of 14: 14 only producing, 0 with another role · typical Midcredits score18th

By decade

2010s9 · crew2020s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Christopher Rush Harrington's films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 19th percentile for acclaim.

Acclaim · how much people like their films

19thpercentile
Typical film, the median of 14

Approval · how many liked their films

19thpercentile
Typical film, the median of 14

Reach · how many have seen their films

57thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 50th to 74th1
  • 25th to 49th5
  • Below 25th8

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Christopher Rush Harrington work with?

People who share at least 2 of Christopher Rush Harrington's MovieCove titles, grouped by what they did on them; Michael Hamilton-Wright shares the most, 7.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles