Shinichiro Eto

What are Shinichiro Eto's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shinichiro Eto's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Crunchyroll (4).

• Crunchyroll4 titles
  • March Comes in Like a Lion (2016) · cinematographer
  • Puella Magi Madoka Magica (2011) · cinematographer
  • Bakemonogatari (2009) · cinematographer
  • Blade Runner: Black Out 2022 (2017) · cinematographer
• HBO Max1 title, browse their movies on this service
  • Your Name. (2016) · other
• Hulu1 title, browse their movies on this service
  • Puella Magi Madoka Magica (2011) · cinematographer
• Netflix1 title, browse their movies on this service
  • Puella Magi Madoka Magica (2011) · cinematographer

Subscription and free streaming for Shinichiro Eto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

• 

  Blade Runner: Black Out 2022(2017)

  Cinematographer

  Midcredits score: 88th percentile of all films88^th
• 

  March Comes in Like a Lion(2016)

  Show 11 episodes · Cinematographer · Compositing Artist

  Midcredits score: 93rd percentile of all shows93^rd
• 

  Your Name.(2016)

  Other

  Midcredits score: 99th percentile of all films99^th
• 

  Kizumonogatari Part 1: Tekketsu(2016)

  Cinematographer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Puella Magi Madoka Magica the Movie Part III: The Rebellion Story(2013)

  Cinematographer

  Midcredits score: 97th percentile of all films97^th
• 

  Puella Magi Madoka Magica the Movie Part 2: Eternal(2012)

  Cinematographer

  Midcredits score: 97th percentile of all films97^th
• 

  Puella Magi Madoka Magica the Movie Part 1: Beginnings(2012)

  Cinematographer

  Midcredits score: 95th percentile of all films95^th
• 

  Puella Magi Madoka Magica(2011)

  Show 12 episodes · Cinematographer

  Midcredits score: 93rd percentile of all shows93^rd
• 

  Gekijouban Mahou sensei Negima! Anime Final(2011)

  Cinematographer

  Midcredits score: 26th percentile of all films (provisional, few ratings)~26^th
• 

  Bakemonogatari(2009)

  Show 12 episodes · Cinematographer

  Midcredits score: 89th percentile of all shows89^th
• 

  Hidamari Sketch (not in the MovieCove catalog yet)(2007)

  Show 12 episodes · Cinematographer

Career shape

A full career of 9 titles from 2007 to 2017.

Biggest box office

Puella Magi Madoka Magica the Movie Part III: The Rebellion Story (2013)

$20M worldwide

Highest rated

Puella Magi Madoka Magica the Movie Part III: The Rebellion Story (2013)

Midcredits 97^th

Most popular right now

Bakemonogatari (2009)

How do Shinichiro Eto's films land?

Their typical MovieCove film has a Midcredits score in the 95^th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 94^th percentile for acclaim.

Shape of the crowd

7 of their 10 titles are Universally Loved.

72

• Universally Loved7
• Divisive1
• Crowd Pleaser2

Most divisive · cinematographer

Gekijouban Mahou sensei Negima! Anime Final (2011)

90^th percentile spread · 48% rated it 4 or lower

Most loved · cinematographer

Puella Magi Madoka Magica the Movie Part III: The Rebellion Story (2013)

Midcredits 97^th · 84% liked

Reviewers score the cinematography 86/100 in their films, across 5 reviewed titles; fans 89, detractors 72. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Shinichiro Eto's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Shinichiro Eto work with?

People who share at least 2 of Shinichiro Eto's MovieCove titles, grouped by what they did on them; Akiyuki Shinbō shares the most, 7.