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Víctor Tadashi Suárez

Víctor Tadashi Suárez

Cinematographer

Sundance award nominee

Victor Tadashi Suárez is a Japanese American and Spanish filmmaker and cinematographer based in Los Angeles. He directed, shot, and edited the film, STILL STANDING, which premiered at the 2026 Sundance Film Festival. He’s won two Emmys and was the DP for the series, Quiet on Set, the most-streamed title on Max. Some of his feature credits include #SKYKING (SXSW 2026), Take No Prisoners (SXSW 2025) and Driver (Tribeca 2024). His craft is influenced by his journalistic background, spending years shooting for the FX / Hulu series, The New York Times Presents, for which he was awarded the Edward R Murrow Award from The Overseas Press Club as well as an Emmy nomination for Outstanding Video Journalism (Collision) and, in 2021, Outstanding Documentary Cinematography (The Sicario). He was the cinematographer for Controlling Britney Spears, which was nominated in 2022 for a Primetime Emmy, and the PBS FRONTLINE film, South Korea’s Adoption Reckoning, which was nominated for a Peabody Award in 2025. He studied economics-philosophy and history at Columbia University in NYC. Awards for projects where he was the sole or lead credited DP include: 4 News and Doc Emmy wins, 3 Peabody nominations, 2 Creative Arts Emmy nominations, 1 Academy Award Shortlist, 21 News and Doc Emmy Nominations, 1 Television Critics Association Award Win, 1 Gotham Television Award nomination, 2 Overseas Press Club Awards, and winning best film at Full Frame, Seattle, and Aspen.

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Biography from IMDb.

Works as
Cinematographer
Titles
8 on MovieCove

What are Víctor Tadashi Suárez's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 0 · Dark 4

Grounded 6 · Stylized 0 · Heightened 0

Gentle 1 · Charged 3 · Intense 2

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 4

Resolved 4 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Contemplative
5
Melancholic
5
Hopeful
3
Warm
1
Other
2

How their films end

  • Bittersweet6
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Víctor Tadashi Suárez's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Víctor Tadashi Suárez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

Career shape

Across their 8 MovieCove titles from 2018 to 2026.

By role

only this rolewith another role
Cinematography8 of 8: 8 only cinematography, 0 with another role · typical Midcredits score82nd

By decade

2010s2 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

Awards

Nominated for a Sundance award in 2026, Best Short Film.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Víctor Tadashi Suárez's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 88th percentile for acclaim.

Acclaim · how much people like their films

88thpercentile
Typical film, the median of 6

Approval · how many liked their films

87thpercentile
Typical film, the median of 6

Reach · how many have seen their films

31stpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Víctor Tadashi Suárez work with?

People who share at least 2 of Víctor Tadashi Suárez's MovieCove titles, grouped by what they did on them; Bernardo Ruiz shares the most, 2.

Directors

Composers

Producers