
Nina Soriano
- Producer
- 5 on MovieCove · 11 credits in all
What are Nina Soriano's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 1 · Serious 2 · Dark 0
Grounded 0 · Stylized 2 · Heightened 1
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nina Soriano's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Nina Soriano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 5 with a MovieCove page.

Depeche Mode: M(2025)
Midcredits score: 92nd percentile of all films
Trokas Duras (not in the MovieCove catalog yet)(2025)

A Lot of Nothing(2022)
Midcredits score: 19th percentile of all films
Run/On (not in the MovieCove catalog yet)(2020)

Quarter Life Poetry(2019)
Midcredits score: 90th percentile of all shows (provisional, few ratings)
Solange: When I Get Home (not in the MovieCove catalog yet)(2019)

Earl Sweatshirt: Nowhere, Nobody (not in the MovieCove catalog yet)(2019)
Maverick (not in the MovieCove catalog yet)(2018)

McCartney: Grand Central(2018)
Midcredits score: 79th percentile of all films (provisional, few ratings)
Bonding(2018)
Midcredits score: 53rd percentile of all shows
Don't Know Why (not in the MovieCove catalog yet)(2017)
Career shape
A full career of 9 titles from 2017 to 2025.
How do Nina Soriano's films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- Below 25th1
Shape of the crowd
2 of their 5 titles are Mixed.
- Universally Loved1
- Divisive1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Nina Soriano work with?
People who share at least 2 of Nina Soriano's MovieCove titles, grouped by what they did on them; Arturo Perez Jr. shares the most, 2.
Directors
- Arturo Perez Jr.Shared titles: Quarter Life Poetry (2019), McCartney: Grand Central (2018)See all 2 shared titles with Arturo Perez Jr.

Producers
- Alex D. SanchezShared titles: Quarter Life Poetry (2019), McCartney: Grand Central (2018)See all 2 shared titles with Alex D. Sanchez
- Jacob PerlinShared titles: Quarter Life Poetry (2019), Bonding (2018)See all 2 shared titles with Jacob Perlin