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P.J. Starks was born and raised in Owensboro, Kentucky. In 2007 he began taking filmmaking seriously by writing and directing the horror film Hallows Eve: Slaughter on Second Street. Due to the local success of his first professional effort he was asked to help David Breckman (Monk and SNL) with his directorial debut film Murder In Kentucky during the 2009 International Mystery Writers Festival. Starks received a Co-Producer credit as well as helping co-edit the short. In the summer of 2010 Starks wrote and directed his passion project A Mind Beside Itself, a psychological romance. He also worked with Lee Goldberg (The Glades and Psych) on his short film Remaindered, of which he was director of photography and co-editor. Between 2011 and 2013 P.J. worked as associate producer on the feature films Reality and Three Tears on Bloodstained Flesh for Indiana filmmakers as well as the popular web-series The Book of Dallas. In 2012 Starks created the popular event Unscripted at the Daviess County Public Library where he served as a coordinator until becoming more of an adviser in 2014. Starks and Unscripted were featured on PBS in 2014. The event is still catering to the Owensboro community, giving local and regional indie filmmakers an outlet to screen their short works. In 2014 P.J. co-created the Unscripted Film School where community members were given the chance to become production assistants on two short films produced in the library. He served as producer on the espionage thriller Mistrust and the short horror film Lucky that would go on to screen across the US. That same year he would create/co-write and direct a segment in the feature horror anthology Volumes of Blood. He would also write and direct The Preylude, an online short that expanded the world of VOB. In 2015, VOB would go on to garner much acclaim from critics and win multiple awards at film festivals across the country. The film found distribution through LC Films and released on April 26th, 2016. Starks also produced the 2015 critically acclaimed fan film The Confession of Fred Krueger directed by Scream Factory and HorrorHound artist Nathan Thomas Milliner. In 2016 he conceived, produced and co-wrote the follow up anthology Volumes of Blood: Horror Stories that would also go on to receive critical acclaim and land itself on six 'Best Film of 2016' lists that included Fangoria. In December of 2016 Starks would partner with his good friend and fellow producer Eric Huskisson to create the production company Blood Moon Pictures, LLC. VOBHS would go on to find distribution through the LA based production company Petri Entertainment in 2017. That same year Starks would find himself producing a myriad of productions which included a short film called The First Date, written by his late friend and colleague Brian Storm. He would also serve as producer on the horror anthologies 10/31 and Cryptids, the telephonic terror feature Close Calls, the horror comedy Butcher the Bakers and the supernatural horror flick Deimosimine. His company Blood Moon Pictures would partner with Mythmaker Games to create the table top card game 'VOB: Body Count' based on the Volumes of Blood universe. Starks is continuing to look for producing opportunities and he recently announced that BMP is in early development on Volumes of Blood 3, that begins pre-production in the fall of 2017.

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Biography from IMDb.

Works as
Producer, writer, director and editor, also cinematographer
Titles
12 on MovieCove

What are P.J. Starks' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 4 · Earnest 5

A split, not a type: Grounded 6 · Stylized 5 · Heightened 1

A split, not a type: Gentle 0 · Charged 5 · Intense 7

Steady 2 · Shifting 6 · Whiplash 4

Straight-faced 5 · Some laughs 6 · Funny 1

Slow burn 2 · Even-paced 10 · Relentless 0

A split, not a type: Casual 6 · Engaged 5 · Full focus 1

Resolved 8 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Dread
10
Absurd
5
Thrilling
2
Manic
1
Other
1

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch P.J. Starks' films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for P.J. Starks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • The Barn Part III(2026)

    Producer

  • The Boy from Below(2026)

    Producer

    Midcredits score: 33rd percentile of all films
  • New Fears Eve(2025)

    Director · Editor · Producer · Writer

    Midcredits score: 40th percentile of all films
  • The Art of Killing(2025)

    Producer

    Midcredits score: 3rd percentile of all films (provisional, few ratings)
  • Coffintooth(2024)

    Producer

    Midcredits score: 8th percentile of all films
  • 10/31: Part 3(2022)

    Producer · Writer

    Midcredits score: 7th percentile of all films
  • 13 Slays Till X-Mas(2020)

    Director · Editor · Producer · Writer

    Midcredits score: 7th percentile of all films
  • Angel(2018)

    Producer

    Midcredits score: 3rd percentile of all films
  • 10/31(2017)

    Producer

    Midcredits score: 8th percentile of all films
  • Butcher the Bakers(2017)

    Producer

    Midcredits score: 31st percentile of all films (provisional, few ratings)
  • E-Demon(2016)

    Producer

    Midcredits score: 6th percentile of all films
  • Volumes of Blood(2015)

    Director · Cinematographer · Editor · Producer · Writer

    Midcredits score: 13th percentile of all films

Career shape

Across their 12 MovieCove titles from 2015 to 2026.

By role

only this rolewith another role
Directing3 of 12: 0 only directing, 3 with another roleWriting4 of 12: 0 only writing, 4 with another roleProducing12 of 12: 8 only producing, 4 with another role · typical Midcredits score8thCinematography1 of 12: 0 only cinematography, 1 with another roleEditing3 of 12: 0 only editing, 3 with another role

12 titles, 4 with more than one role — producing and writing overlap on 4 of them.

By decade

2010s5 · crew2020s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do P.J. Starks' films land?

Their typical MovieCove film has a Midcredits score in the 8th percentile, the median of the 11 of 12 with a score; across their 12 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 12

Approval · how many liked their films

10thpercentile
Typical film, the median of 12

Reach · how many have seen their films

33rdpercentile
Typical film, the median of 12

Midcredits score across 11 titles, by percentile

  • 25th to 49th3
  • Below 25th8

Reviewers score the dialogue 35/100 and the plot and story 36/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does P.J. Starks work with?

People who share at least 2 of P.J. Starks' MovieCove titles, grouped by what they did on them; Eric Huskisson shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles