Motheo Moeng
- Cinematographer
- 10 on MovieCove
What are Motheo Moeng's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 1 · Serious 3 · Dark 3
Grounded 6 · Stylized 1 · Heightened 0
Gentle 1 · Charged 4 · Intense 2
Steady 2 · Shifting 5 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 4 · Heavy 2
Resolved 4 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Ambiguous4
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Motheo Moeng's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (5).
Subscription and free streaming for Motheo Moeng's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Sabbatical(2025)
Midcredits score: 57th percentile of all films (provisional, few ratings)
In Bloom(2024)
Midcredits score: 60th percentile of all films (provisional, few ratings)
Madu(2024)
Midcredits score: 48th percentile of all films
Classified(2023)
Midcredits score: 22nd percentile of all shows
Midcredits score: 20th percentile of all films
The Brave Ones(2022)
Midcredits score: 8th percentile of all shows
The Domestic(2022)
Midcredits score: 7th percentile of all films
Queen Sono(2020)
Midcredits score: 24th percentile of all shows
Baby Mamas(2018)
Midcredits score: 57th percentile of all films
Catching Feelings(2017)
Midcredits score: 42nd percentile of all films
Career shape
Across their 10 MovieCove titles from 2017 to 2025.
Biggest box office
Baby Mamas (2018)
Highest rated
Catching Feelings (2017)
Most popular right now
The Domestic (2022)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Motheo Moeng's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 50th to 74th3
- 25th to 49th2
- Below 25th5
Shape of the crowd
6 of their 10 titles are Divisive.
- Divisive6
- Cult Classic1
- Mixed3
Reviewers score the cinematography 71/100 in their films, across 3 reviewed titles; fans 76, detractors 70. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Motheo Moeng work with?
People who share at least 2 of Motheo Moeng's MovieCove titles, grouped by what they did on them; Khulekani Zondi shares the most, 5.
Directors
- Kagiso LedigaShared titles: Sabbatical (2025), Classified (2023), Queen Sono (2020), Catching Feelings (2017)See all 4 shared titles with Kagiso Lediga
- Karabo LedigaShared titles: Sabbatical (2025), Classified (2023), Queen Sono (2020)See all 3 shared titles with Karabo Lediga
- Tebogo MalopeShared titles: Classified (2023), Queen Sono (2020)See all 2 shared titles with Tebogo Malope
- David 'Tosh' GitongaShared titles: Disconnect: The Wedding Planner (2022), The Brave Ones (2022)See all 2 shared titles with David 'Tosh' Gitonga
Actors
- Akin OmotosoShared titles: The Brave Ones (2022), Catching Feelings (2017)See all 2 shared titles with Akin Omotoso
- Kate LiquorishShared titles: Queen Sono (2020), Catching Feelings (2017)See all 2 shared titles with Kate Liquorish
- Pearl ThusiShared titles: Queen Sono (2020), Catching Feelings (2017)See all 2 shared titles with Pearl Thusi
Composers and editors
- Khulekani ZondiShared titles: Sabbatical (2025), Classified (2023), Queen Sono (2020), Baby Mamas (2018), Catching Feelings (2017)See all 5 shared titles with Khulekani Zondi
- Melissa ParryShared titles: In Bloom (2024), Classified (2023), Queen Sono (2020)See all 3 shared titles with Melissa Parry
- Bokani DyerShared titles: Sabbatical (2025), Catching Feelings (2017)See all 2 shared titles with Bokani Dyer
- Zethu MashikaShared titles: Classified (2023), Queen Sono (2020)See all 2 shared titles with Zethu Mashika
Producers
- Tamsin AnderssonShared titles: Sabbatical (2025), Classified (2023), Queen Sono (2020), Catching Feelings (2017)See all 4 shared titles with Tamsin Andersson
- Anna WaltonShared titles: Sabbatical (2025), Classified (2023), Queen Sono (2020)See all 3 shared titles with Anna Walton
- Luke HenkemanShared titles: Sabbatical (2025), Queen Sono (2020), Catching Feelings (2017)See all 3 shared titles with Luke Henkeman
- David RypstraShared titles: Sabbatical (2025), Catching Feelings (2017)See all 2 shared titles with David Rypstra