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Krzysztof Solek

Krzysztof Solek

Producer

Krzysztof Solek is a multi-award-winning producer and co-founder, founder, and CEO of Film Poland Productions, Film Slovakia, Warrior Bear Productions, Film Southeast, Choice Talents, and Arbor Films. He is best known for producing the critically acclaimed feature film Legacy of Lies starring Scott Adkins and The Last Witness starring Alex Pettyfer. A graduate of the Polish National Ballet School, Rudra Béjart Ballet, and the National Holistic Institute in the USA, Solek began his career as a professional dancer, performing worldwide with leading choreographers and companies. After fifteen years abroad - in Switzerland, Belgium, France, Israel, the UK, and the USA - he transitioned from stage to screen, beginning as a still photographer before moving into film production. As one of the most respected line producers in Poland, Solek has worked on major international projects including In the Lost Lands starring Milla Jovovich and Dave Bautista, Barbarians (Season 2) for Netflix, Perfect Addiction for Amazon Studios, The Interpreter of Silence for Disney, and the Bollywood blockbuster Kick. As well as numerous acclaimed European television films such as Parallel me, The Palace, Westwall, The Turncoat and Hotel Europa. Since 2004, he has led Film Poland Productions, Poland's premier service production company, with clients such as Netflix, Disney, Paramount, Amazon, BBC, National Geographic, The History Channel, Channel 9 Australia, the Sci-Fi Channel, and History Canada. Through Choice Talents, Solek pioneered creative collaboration between Poland and the Far East, providing top Polish cinematographers, stunt teams, and film artists to major Indian productions including Tiger Zinda Hai, Bharat, Dangal, Shivaay, and Housefull 3. His credits as producer and co-producer also include the award-winning My Home India (dir. Anjali Bhushan).

Read more

Biography from IMDb.

Works as
Producer
Titles
14 on MovieCove

What are Krzysztof Solek's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 6

A split, not a type: Grounded 5 · Stylized 2 · Heightened 3

Gentle 0 · Charged 4 · Intense 6

Steady 1 · Shifting 8 · Whiplash 1

Straight-faced 8 · Some laughs 1 · Funny 1

Slow burn 2 · Even-paced 6 · Relentless 2

Casual 3 · Engaged 5 · Full focus 2

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 4

Resolved 7 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
6
Hopeful
4
Dread
4
Thrilling
4
Other
12

How their films end · 5 with a twist

  • Happy4
  • Bittersweet7
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Krzysztof Solek's films?

As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Krzysztof Solek's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Adams Acht(2026)

    Producer

    Midcredits score: 80th percentile of all films
  • In the Lost Lands(2025)

    Producer

    Midcredits score: 10th percentile of all films
  • Bros(2024)

    Show Producer

    Midcredits score: 37th percentile of all shows
  • Perfect Addiction(2023)

    Producer

    Midcredits score: 35th percentile of all films
  • The Interpreter of Silence(2023)

    Show Producer

    Midcredits score: 72nd percentile of all shows
  • Old People(2022)

    Producer

    Midcredits score: 15th percentile of all films
  • Hotel Europa(2021)

    Show Producer

    Midcredits score: 26th percentile of all shows
  • The Palace(2021)

    Show Producer

    Midcredits score: 53rd percentile of all shows
  • Clay's Redemption(2020)

    Producer

    Midcredits score: 22nd percentile of all films
  • Legacy of Lies(2020)

    Producer

    Midcredits score: 16th percentile of all films
  • The Last Witness(2018)

    Producer

    Midcredits score: 41st percentile of all films
  • Fitoor(2016)

    Producer

    Midcredits score: 42nd percentile of all films
  • Shaandaar(2015)

    Producer

    Midcredits score: 7th percentile of all films
  • Kick(2014)

    Producer

    Midcredits score: 60th percentile of all films

Career shape

Across their 14 MovieCove titles from 2014 to 2026.

By role

only this rolewith another role
Producing14 of 14: 14 only producing, 0 with another role · typical Midcredits score36th

By decade

2010s4 · crew2020s10 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Krzysztof Solek's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 10

Approval · how many liked their films

37thpercentile
Typical film, the median of 10

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 10

Midcredits score across 14 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Krzysztof Solek's work okay for kids?

Across up to 7 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity7 titles12–52 · median 38 · moderatenear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Krzysztof Solek work with?

People who share at least 2 of Krzysztof Solek's MovieCove titles, grouped by what they did on them; Maciej Zemojcin shares the most, 3.

Composers and cinematographers

Producers