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Luke Haigh

Luke Haigh

Editor, also producer

Luke Haigh is a Kiwi/British film editor responsible for splicing fine films such as Taika Waititi's Hunt for the Wilderpeople, Daniel Radcliff action comedy Guns Akimbo, Lee Tamahori's pre-colonial New Zealand epic The Convert, Sundance Midnight favourite Turbo Kid, US Netflix rom-com The Royal Treatment and Samoan choral tearjerker Tina. In addition to his feature work, Luke has edited numerous short films that have screened at prestigious global festivals, including a film that won La Semaine de la Critique at Cannes. Luke's commercial editing experience is extensive, with a focus on big-budget campaigns for global brands. He has worked on advertisements for major companies such as UberEATS, Xfinity, AT&T, Coca-Cola, Lipton, Nike, Toyota Hilux, McDonalds, and Sprite, with several campaigns receiving top honours, including Grand Prix at Cannes Lions, Clio, and D&AD awards. Throughout his career, Luke has collaborated with renowned directors and production companies, including Damien Shatford (Biscuit Filmworks/Sweetshop), Taika Waititi (Hungry Man), Steve Ayson (MJZ), Joel Kefali (Arts&Sciences/GoodOil) and Mark Albiston (Merman/Sweetshop). Luke divides his time between Auckland and Los Angeles, has British and New Zealand passports and an O-1 visa for work in the USA. He is repped commercially by WORK Editorial in the USA & UK, ARC Edit in Australia and available direct for commercials ROW & Long form.

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Biography from IMDb.

Works as
Editor, also producer
Titles
8 on MovieCove · 12 credits in all
TMDB popularity, last 157 days to Oct 28Down 31% in 30 days

What are Luke Haigh's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 0 · Dark 2

Grounded 0 · Stylized 5 · Heightened 3

A split, not a type: Gentle 1 · Charged 3 · Intense 4

Steady 2 · Shifting 4 · Whiplash 2

A split, not a type: Straight-faced 1 · Some laughs 3 · Funny 4

Slow burn 3 · Even-paced 3 · Relentless 2

A split, not a type: Casual 5 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 5 · Affecting 1 · Heavy 2

Resolved 6 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
5
Tense
3
Joyful
3
Melancholic
2
Thrilling
2
Other
7

How their films end · 1 with a twist

  • Happy3
  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luke Haigh's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Luke Haigh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 8 with a MovieCove page.

  • Tina(2024)

    Editor

    Midcredits score: 97th percentile of all films
  • Raging Midlife(2025)

    Editor · Producer

    Midcredits score: 65th percentile of all films (provisional, few ratings)
  • The Convert(2023)

    Editor

    Midcredits score: 59th percentile of all films
  • Midcredits score: 25th percentile of all films
  • Datsun (not in the MovieCove catalog yet)(2021)

    Editor

  • Guns Akimbo(2019)

    Editor

    Midcredits score: 52nd percentile of all films
  • Mega Time Squad(2018)

    Editor

    Midcredits score: 37th percentile of all films
  • The Brother (not in the MovieCove catalog yet)(2017)

    Editor

  • Midcredits score: 98th percentile of all films
  • Turbo Kid(2015)

    Editor · as Guards

    Midcredits score: 73rd percentile of all films
  • Night Shift (not in the MovieCove catalog yet)(2012)

    Post Production Supervisor

  • Blue (not in the MovieCove catalog yet)(2011)

    Editor

Career shape

A full career of 10 titles from 2011 to 2025.

By role

only this rolewith another role
Acting1 of 10: 0 only acting, 1 with another roleEditing9 of 10: 8 only editing, 1 with another role · typical Midcredits score66thOther crew1 of 10: 1 only other crew, 0 with another role

By decade

2010s5 · 1 acting · 5 crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luke Haigh's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 8

Approval · how many liked their films

56thpercentile
Typical film, the median of 8

Reach · how many have seen their films

88thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed1

Reviewers score the pacing 60/100 in their films, across 7 reviewed titles; fans 68, detractors 39. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Luke Haigh's work okay for kids?

Across up to 5 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 82 · severeMedian of all films: 44
Sex & Nudity5 titles18–44 · median 25 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles17–84 · median 52 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles22–56 · median 27 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 55 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Luke Haigh work with?

People who share at least 2 of Luke Haigh's MovieCove titles, grouped by what they did on them; Matt Noonan shares the most, 3.

Actors

Producers