Anna Maria Jetel

What are Anna Maria Jetel's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Maria Jetel's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Haunted Hospital (2018) · producer
• Tubi1 title, browse their movies on this service
  • Haunted Hospital (2018) · producer · free

Subscription and free streaming for Anna Maria Jetel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Rate Your Date(2019)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Haunted Hospital(2018)

  Producer

  Midcredits score: 6th percentile of all films6^th
• 

  Rico, Oskar und der Diebstahlstein(2016)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  The Pasta Detectives(2014)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  In Darkness(2011)

  Producer

  Midcredits score: 88th percentile of all films88^th

Career shape

Across their 5 MovieCove titles from 2011 to 2019.

Biggest box office

In Darkness (2011)

$10M worldwide

Highest rated

In Darkness (2011)

Midcredits 88^th

How do Anna Maria Jetel's films land?

Their typical MovieCove film has a Midcredits score in the 51^st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

1211

• Universally Panned1
• Crowd Pleaser2
• Broadly Agreed1
• Mixed1

Most loved · producer

In Darkness (2011)

Midcredits 88^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Maria Jetel work with?

People who share at least 2 of Anna Maria Jetel's MovieCove titles, grouped by what they did on them; Magdalena Prosteder shares the most, 3.