João Matos

What are João Matos' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch João Matos' films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.

• Fandor1 title, browse their movies on this service
  • Wolf and Dog (2022) · producer
• Tubi1 title, browse their movies on this service
  • Wolf and Dog (2022) · producer · free

Subscription and free streaming for João Matos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Astrakan 79(2023)

  Producer

  Midcredits score: 49th percentile of all films (provisional, few ratings)~49^th
• 

  Cidade Rabat(2023)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  Tommy Guns(2022)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Wolf and Dog(2022)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  The Nothing Factory(2017)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Where I Grow Old(2016)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Linha Vermelha(2012)

  Producer

  Midcredits score: 80th percentile of all films (provisional, few ratings)~80^th

Career shape

Across their 7 MovieCove titles from 2012 to 2023.

Biggest box office

Wolf and Dog (2022)

$47K worldwide

Highest rated

The Nothing Factory (2017)

Midcredits 77^th

Most popular right now

Linha Vermelha (2012)

How do João Matos' films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Shape of the crowd

4 of their 7 titles are Crowd Pleasers.

142

• Cult Classic1
• Crowd Pleaser4
• Mixed2

Most divisive · producer

Wolf and Dog (2022)

70^th percentile spread · 23% rated it 4 or lower

Most loved · producer

The Nothing Factory (2017)

Midcredits 77^th · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does João Matos work with?

People who share at least 2 of João Matos' MovieCove titles, grouped by what they did on them; Pedro Pinho shares the most, 5.